The next release on the Ghost Box label will be Puzzlewood by Plone, “unironically joyful and melodic electronica; informed by library music, music for children’s TV and a deep passion for the history of music technology”. The album will be available in April. Design, as always, is by Julian House.
• “With his panting breath and dripping sweat infused in each page of his memoir, Patrick Cowley describes himself on his knees, bending over and ‘worshipping Phallus.'” Maxwell Shand on Dark Entries‘ “holy trinity” of Patrick Cowley’s Mechanical Fantasy Box, Hot Rod To Hell by Roy Garrett & Man Parrish, and Maxx Mann’s gay synth-pop.
• “We’re gonna do economic activity—without money!”: Inside the criminal glamour of the San Francisco Diggers with Kent Minault. The third installment of a verbal history of the hippie anarchists by Jay Babcock.
• “Susanna Hoffs and friends remember David Roback, who stayed creative, and enigmatic, to the end.” By Randall Roberts.
My connection with [raga] was not to be able to duplicate or emulate it but to learn from it. I combined it with the electronics and the harmonizer and things like that. But I would have a line that was being drawn. You’re thinking about it like a shape that’s being drawn on a canvas. It’s a line that’s being drawn and another. You’re holding three pencils at once while you’re drawing on the wall. So, you’re able to get the shapes. This was my thing with it, because I was into the harmony that it would make. So, it was an easy and natural thing to do, was to go and move into the electronics. Then we had equipment that was doing transposition and all that kind of thing. So that’s one little part of it.
• Published next month by Strange Attractor Press: Rated SavX: The Savage Pencil Skratchbook.
• They came from outer Finland: the town where everyone saw UFOs, as photographed by Maria Lax.
• Mix of the week: Through A Landscape Of Mirrors Vol. VI – Sweden II by David Colohan.
• Moonstrips Empire News (1967) by Eduardo Paolozzi.
• At Dennis Cooper’s: Shelley Duvall Day.
• Graham Massey‘s favourite albums.