Muto Manifesto, volume 7

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In which Muto Manifesto, the photo-magazine created by ace French photographers Exterface, celebrates a year of publication with a new edition that’s available in two print editions (one of which is already sold out). The model is the splendid Matthieu Charneau who featured in the first issue. See page samples here and in the online version at Issuu. Via Homotography.

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Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Muto: The Exterface Manifesto
Exterface

Un Chant d’Amour (nouveau)

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A brief homage by Sam Scott Schiavo to Genet’s masterwork of homoerotic cinema Un Chant d’Amour (1950). Genet’s film works so well, and is so closely tied to his artistic obsessions, it’s difficult to approach but it’s good to see it still wields an influence. For comparison the original film can be watched at Ubuweb.

Previously on { feuilleton }
Jean Genet… ‘The Courtesy of Objects’
Querelle again
Saint Genet
Emil Cadoo
Exterface
Penguin Labyrinths and the Thief’s Journal
Un Chant D’Amour by Jean Genet

Muto: The Exterface Manifesto

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In which French photographers Exterface extend their particular brand of erotic styling into the world of online publications. Muto is a typically high-quality production (requires registration with Issuu), the theme this time being the hothouse of the 1970s when the word “clone” was as much associated with gay bars as with the products of science fiction. What was once a visual cliché now seems fresh (and hot!) amid the clichés (twinks and bears) which took its place. With retromania one of the buzzwords du jour there’s no reason why erotic photography shouldn’t get in on the act, is there?

Via Homotography.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Let’s get physical: Bruce of Los Angeles and Tom of Finland
Exterface

Hello, sailor

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Homotography goes nautical again this week, sporting shots of model Lukas Bossert in a session by Mustafa Sabbagh. I’m not sure whether these have any purpose beyond showing off Mr Bossert’s physique but we don’t really need any other reason, do we? Homotography has bigger pics should you require them.

Incidentally, fashion photography is now the only place you regularly see photos of anyone smoking, whether posing or otherwise. With the march of prohibition, the cigarette-as-style-fixture seems to have shifted to become a vague signifier of rebellion. The fashion world loves its rebel iconography so I can see this trend continuing for some time, or at least until the habit starts to generate the inevitable complaints.

Previously on { feuilleton }
Querelle again
Sailors
Mikel Marton
Exterface

Jean Genet… ‘The Courtesy of Objects’

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Jean Genet… ‘The Courtesy of Objects’ is an exhibition by Anglo-French artist Marc Camille Chaimowicz currently running at The Gallery at Norwich University College of the Arts. Chaimowicz presented a show entitled Jean Cocteau in Norwich last year; this new exhibition will include “works on paper, theatrical props, furniture, slide projections, documentation and an imaginary casting session for Genet’s 1947 play The Maids and videos charting Chaimowicz’s pilgrimages to the author’s childhood home in Burgundy, France, and to his grave on the Moroccan coast.” (More.) About Genet, Chaimowicz has this to say:

Jean Genet, in his fashion, loved Jacky Maglia. Jacky was the stepson of Genet’s lover Lucien Senemand. Genet was generally attracted to heterosexual men, often delinquents or petty criminals… and Jacky stole cars… Genet actively encouraged Jacky to take up motor racing and later managed his fledging career. In Norfolk he bought Maglia a Lotus Elan… They grew very close, travelling widely together and illicitly entering the US to cover the 1968 Chicago Democratic Convention for Esquire. Fame and critical success were suddenly and violently echoed by financial gain… Genet was at one point Gallimard’s highest-earning author… This having the converse effect in that the more rich and famous he became, the less he was able to write. For so long the outsider and now the literary celebrity, it was as though he felt alienated from his own unique and cherished sense of alienation.

The exhibition is free and runs until May 21st when it will move to Nottingham and then New York. See here for opening times and other details.

Previously on { feuilleton }
Querelle again
Saint Genet
Emil Cadoo
Exterface
Penguin Labyrinths and the Thief’s Journal
Un Chant D’Amour by Jean Genet