Les lieux imaginaires d’Erik Desmazières


Labyrinthe II (2003).

This is very late notice but I only just discovered that there’s been a major exhibition of etchings by Erik Desmazières running at the Jenisch Gallery in Vevey, Switzerland. The exhibition, which ends on September 9th, includes these more recent works among over 100 other pieces covering the extent of the artist’s career. Sounds like the catalogue for this would certainly be worth ordering. There’s also a 40-minute documentary film being shown there, Le Paris d’Erik by Bertrand Renaudineau and Gérard Emmanuel da Silva.


Théâtre de géographie (2007).

Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
The art of Erik Desmazières

The art of Giulio Aristide Sartorio, 1860–1932


Giulio Aristide Sartorio is generally counted as one of the Italian Symbolists, along with painters such as Giovanni Segantini. He’s also one of the few notable artists of the period to have worked as a film director.

I’ve been fascinated by the curiously erotic academic style of Sartorio’s early work for years but these paintings rarely appear in books (although there have been a couple of monographs) and there’s little decent attention given to him on the web. Philippe Jullian in his essential guide to Symbolism, Dreamers of Decadence (Pall Mall Press, 1971), describes his work as being “vast paintings… full of handsome warriors who are always naked and generally dead.” Gabriele D’Annunzio, who knew heroic camp when he saw it, became a fan when the pair met in Rome in the 1880s. Sartorio illustrated D’Annunzio’s Isaotta Guttadàuro in 1886 and they continued to collaborate into the 1920s. One possible reason for Sartorio’s falling out of favour may have been later association with Mussolini’s Fascists, something else he shared with D’Annunzio.


Diana of Ephesus and the Slaves (1893–98).

Much as I’d like to point you to a large reproduction of the bizarre Diana of Ephesus and the Slaves, there doesn’t seem to be one around just now. However, you can see a few gallery pages of Sartorio’s work here if you don’t mind the copyright label spoiling everything.

Update: A reasonable copy of the Diana painting has turned up. Click the image above.


Diana of Ephesus and the Slaves (detail).


Gorgon and the Heroes (1895–99).


L’Invasione degli Unni (no date).


Siren or The Green Abyss (1900).


Pico, roi du Latium, et Circé de Thessalie (1904).


Pico, roi du Latium (detail).


Ex libris Gabrielis Nuncii “per non dormire” (1906).

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Angels 4: Fallen angels

City of Light


Back home again with enough photos to make postings for a whole year. I’ll restrain myself, however, and for now you can see the result of my quest to capture the perfect Eiffel Tower shot. This involved waiting patiently for other tourists at the Trocadero to move away from the one spot on the balustrade that allows a symmetrical view then setting up the mini tripod. For those who appreciate such details, my small Canon PowerShot was shooting at F8.0 with a 4″ exposure. The big arc lights to the left and right were part of some exposition whose construction was in progress around the fountain.