Golem (2012)

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“There are always more golems,” I wrote back in August, and here’s another. The artificial entity this time is a military computer that’s the subject of Golem XIV (1973), a science fiction story by Stanislaw Lem that was later expanded into a novel:

The book is written from the perspective of a military AI computer who obtains consciousness and starts to increase his own intelligence, moving towards personal technological singularity. It pauses its own development for a while in order to be able to communicate with humans before ascending too far and losing any ability for intellectual contact with them. During this period, Golem XIV gives several lectures and indeed serves as a mouthpiece for Lem’s own research claims. The lectures focus on mankind’s place in the process of evolution and the possible biological and intellectual future of humanity. (more)

Golem (2012) is a seven-minute film by Patrick Mccue & Tobias Wiesner which uses elaborate and detailed CGI to illustrate Lem’s story. The music is an original piece by Cliff Martinez that in its final moments echoes his score for Steven Soderbergh’s Solaris (2002). Watch it here. (Via Coudal.)

Previously on { feuilleton }
More Golems
Das Haus zur letzten Latern
Hugo Steiner-Prag’s Golem
Barta’s Golem

Weekend links 54

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Film and opera posters by Franciszek Starowieyski (see below).

• At first glance, Jerzy Skolimowski’s new film, Essential Killing, sounds like Joseph Losey’s Figures in a Landscape (1970) reworked for our era of renditions, torture and war without end. The trailer is here; Sight & Sound liked the film and dismissed any Losey comparisons. The Quietus interviewed the director this week, and there’s also a video interview here.

“He was trying to tell the truth about war. In the 1950s the US was telling itself a mythic, grandiose, heroic story about the second world war and GI Joe saving the world. [James] Jones was saying, ‘That wasn’t the war I saw, I want to write something more honest and realistic. Whatever the mid-America myth, one of the things men were doing was giving blow jobs for money.'”

From Here to Eternity is published in an uncensored edition.

Edogawa Rampo‘s sinister short story The Human Chair concerns a man who conceals himself inside a chair. Taiwanese artist Lan Hungh may have had Rampo’s story in mind for his Demolished Chair art piece about which we’re told “Hungh’s flaccid penis is the only body part that’s visible, and becomes hard as soon as anyone starts discussing the chair or sitting on it.” BUTT magazine spoke to the artist.

…unaware of their double standards, the police objected to the portrayal of men in Harrison’s work as demeaning. There was Hugh Hefner squeezed into a bunny girl costume, a beefy but emasculated Captain America wearing false breasts and a stars ‘n’ stripes-patterned basque, and Valerie Solanas, the radical feminist who tried to murder Andy Warhol, stamping on his Brillo box artwork.

A piece about artist Margaret Harrison whose work is on show at Payne Shurvell, London.

Connecting Science and Art: “Novelist Cormac McCarthy (!), filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.”

• At Tumblr: Gurafiku, “a collection of visual research that encompasses the history of Japanese graphic design”, and Archidose.

• “Michael Moorcock’s Modem Times 2.0 is a good introduction to the literary legend.”

• The Spring 2011 edition of Periwinkle Journal (Queer Art + Creativity) is now live.

• Rick Poynor (again) on [Franciszek] Starowieyski’s Graphic Universe of Excess.

• Coudal now have a page of links for the great Terrence Malick.

Wake in Progress is Finnegans Wake illustrated.

Brown Study, a blog by Jay Babcock.

• RIP Sidney Lumet.

Ry Cooder & The Moula Banda Rhythm Aces: Let’s Have a Ball is a film by Les Blank of a fantastic performance by Cooder’s band in Santa Cruz, California, in 1987. It’s not available on DVD but most of it can be seen on YouTube.