Weekend links 544

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“You may if you please, call a partial View of Immensity, or without much Impropriety perhaps, a finite View of Infinity.” An illustration from Thomas Wright’s An Original Theory or New Hypothesis of the Universe (1750).

• If you read about electronic music for any length of time today you’ll eventually come across the term “pad”, referring to a feature of the music itself not the instrumentation. I’ve noticed increasing instances of this with no accompanying explanation of what the term actually refers to. Rob Wreglesworth has the answer.

• At Dangerous Minds: Richard H. Kirk talks to Oliver Hall about Cabaret Voltaire and Shadow Of Fear. No comment from Kirk as to why the new album warrants the CV name when the music is indistinguishable from his many solo works.

• Eyeball Fodder: The Art of the Occult Edition. S. Elizabeth presents artwork featured in her new book, together with links to artist interviews, including one to the interview we did for Coilhouse magazine a few years ago.

• More electronica: Music From Patch Cord Productions is a new compilation of music by Mort Garson that features some previously unreleased pieces. Great cover art by Robert Beatty as well.

• A trailer for Fireball: Visitors from Darker Worlds, a documentary film about meteorites by Werner Herzog and Clive Oppenheimer.

• From 2019: John Waters and Lynn Tillman in conversation. “The pair discussed Waters’s recent exhibitions and art career.”

Harlan Ellison’s The Last Dangerous Visions may finally be published, after a five-decade wait.

Turn your feline into a god with this cardboard Shinto shrine for cats.

• Mix of the week: XLR8R Podcast 670 by Dadub.

• At Dennis Cooper’s: Harry Dean Stanton Day.

John Cooper Clarke‘s favourite songs.

Meteor Storm (1994) by FFWD | The Third Chamber: Part 5 – 7pm Tokyo Shrine (1994) by Loop Guru | Fireball (1994) by Sun Dial

Weekend links 372

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Battistero della Basilica di Santa Maria Maggiore, Bergamo (2017) by Mattia Mognetti.

• “Mumbo Jumbo: a dazzling classic finally gets the recognition it deserves.” Jonathan McAloon on Ishmael Reed’s unique novel being reissued as a Penguin Modern Classic.

• Amanda Gefter talks to Donald D. Hoffman, professor of cognitive science at the University of California, about “the evolutionary argument against reality”.

• Geeta Dayal on composer Raymond Scott. A new compilation, Three Willow Park, collects more of Scott’s electronic music from the 1960s.

Nagle critiques the follies of campus identity politics and social media liberalism not from the right, but as a left-leaning feminist. As she elucidates point after reasonable point, it feels as if a grown-up has finally entered the room. Like Mark Fisher, the Marxist critic who was savaged by his putative comrades for decrying “the stench of bad conscience and witch-hunting moralism” of the online left, Nagle has no sympathy for Twitter/Tumblr liberalism’s “cult of fragility and victimhood mixed with a vicious culture of group attacks, group shaming, and attempts to destroy the reputations and lives of others”. It is reassuring to find a self-described feminist disdaining the “hysterical” liberal call-out culture, and acknowledging that it has produced “a breeding ground for an online backlash of irreverent mockery and anti-PC”. Without joining the forces of reaction or losing sight of the vileness of the alt-right, she writes of “the deep intellectual rot of contemporary political progressivism”; “the moral self-flattery of … a tired liberal intellectual conformity”; and “the hysteria and faux-politics of liberal Internet culture”.

Rob Doyle reviewing Kill All Normies by Angela Nagle

• Mixes of the week: XLR8R Podcast 501 by Ryan Elliott, and ReMelodiya vol. 1 by Laurent Fairon.

Sumit Paul-Choudhury on the slime mould instruments that make sweet music.

The Wire Salon: an audience with photographer and writer Val Wilmer.

Simon McCallum‘s list of 10 great lesser-known British LGBT films.

Zaria Gorvett on the ghostly radio station that no one claims to run.

S. Elizabeth reposted her Coilhouse interview with me from 2010.

• “Boys are selling sex in Japan. Who is buying?” Boys For Sale

• At Spoon & Tamago: Ando Tadao’s Hill of Buddha.

• At Dennis Cooper’s: Gisèle Vienne Day.

Sun Ra is now on Bandcamp.

Shaolin Buddha Finger (1994) by Depth Charge | Atomic Buddha (1998) by Techno Animal | Psycho Buddha (2001) by Acid Mothers Temple & The Melting Paraiso U.F.O.

Weekend links 136

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Der Triumph des Tintenfisches from Meggendorfer-Blätter (c. 1900). Via Beautiful Century.

Much dismay this week at the news that Coilhouse—the web and print magazine founded in 2008 by Nadya Lev, Meredith Yayanos and Zoetica Ebb—was closing its doors for the foreseeable future. I always loved what they were doing, and was delighted when S. Elizabeth interviewed me for the website two years ago. Looking at the list of their featured articles is like seeing the contents of my head laid bare. Have a browse and see what you may have missed. And fingers crossed they return soon.

• “I think we are just used to seeing naked women because they are used as objects of desire in advertisements and TV. Naked men are not that common—we are not used to seeing a penis. I think that is the main problem for people.” The shock of the (male) nude.

Michael Clarke asks “What Can Publishers Learn from Indie Rock?” Also: Michelle Dean on the value of used books.

Queers find themselves on both sides of the free speech question. Those of us who are writers want the freedom to write and say what we want. I know I do. Yet a preponderance of LGBT people have become part of the larger wave of those who would limit free speech. Because while we want to be able to say whatever we want about “them,” we do not want “them” to say whatever they want about us.

Victoria Brownworth on The Case Against Censorship

• Caspar Henderson re-reads The Book of Imaginary Beings by Jorge Luis Borges.

One hundred classic minimalism, electronic, ambient and drone recordings.

• BLDGBLOG visits the Chand Baori stepwell in Abhaneri, India.

Brion Gysin’s Dreamachine is launched in the UK.

Ken Hollings visits Ludwig II’s Venus Grotto.

• A guide to Meredith Monk‘s music.

• RIP Boris Strugatsky.

Maldorora: a Tumblr.

Stalker: Meditation (1979) by Edward Artemiev | Undulating Terrain (1995) by Robert Rich & B. Lustmord | Stalker (2004) by Shackleton.

Weekend links 120

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• More Nabokov: The University Poem by Vladimir Nabokov, translated by Dmitri Nabokov and read by Ralph Fiennes. And Breitensträter – Paolino, a short story from Nabokov’s Russian period that’s only just been translated into English.

• More LSD: “For decades, the U.S. government banned medical studies of the effects of LSD. But for one longtime, elite researcher, the promise of mind-blowing revelations was just too tempting,” says Tim Doody.

• More Marker: The Guarded Intimacy of Sans soleil by Jonathan Rosenbaum, The Revolutionary Cinema of Chris Marker by Patrick Higgins, and Chris Marker’s Faces by Brian Dillon.

• “A private realm, not easily penetrated, from which emerged music that would give rise to so much of the music we know today.” Guy Horton on Kraftwerk’s Kling Klang studio.

• A narrative from the swamps of Borneo: BLDGBLOG on the mephitic enigma of London’s sewers.

• At Coilhouse: The Incredibly True Adventures of Gerda Wegener and Lili Elbe.

• “What some people call idleness is often the best investment,” says Ed Smith.

• Book cover design: Rick Poynor on Pierre Faucheux and Le Livre de Poche.

• Metaphysical psychedelia: Erik Davis on Rick Griffin: Superstar.

Diamanda Galás discusses her 13 favourite albums.

• Rudy Rucker’s Memories of Kurt Gödel.

• The Men of the Folies Bergère

Olympics or gay porn?

Smoketography

The songs of bowhead whales | Another Moon Song (2009) by Espers | One Thousand Birds (2012) by Six Organs of Admittance.

Weekend links 111

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The Fox (1968). Design by Bill Gold, art by Leo & Diane Dillon.

Mark Rydell’s The Fox may be regarded unfavourably now for its retrograde idea of a lesbian relationship but that’s still a great poster by the Dillons. Equally retrograde (well it was 1957) is Anders als du und ich, a film about wayward German youth directed by ex-Nazi propagandist Veit Harlan:

Klaus is a young man in post-war Berlin. He is drawn to his friend Manfred and, under the encouragement of their acquaintance, Dr. Winkler, explores the underground world of gay clubs and electronic music. His family begins to learn of his other life and do everything they can to set him straight.

A saving grace is the conspicuous deployment of Oskar Sala’s Trautonium. They’re deviants—of course they like weird electronic music! Sala’s instrument was his own invention which means it has a unique pre-Moog sound, famously used by Alfred Hitchcock in the score for The Birds. YouTube has a collection of the electronica moments from Anders als du und ich. Wait for the wrestling scene…

Netherwood: Last Resort of Aleister Crowley by A Gentleman of Hastings. Related: Jimmy Page’s Lucifer Rising sessions part 1 and part 2.

• “This coming 16 June, [BBC] Radio 4 will be a wall-to-wall Joycefest, kicking off at 9am and running until midnight.”

A World Where Architecture is the Driving Force Behind Society, Core77 on the Cités Obscures of François Schuiten.

• At The Hooded Utilitarian an examination of the thorny problem of adapting Lovecraft for the comics medium.

• Plates from La Plante et ses Applications Ornementales (1897–1900) by Eugene Grasset.

• Coilhouse found a rough copy of Todd Haynes’ Superstar: The Karen Carpenter Story.

Three Quick Ways to Introduce Yourself to the Work of Harlan Ellison.

Daniel Buren’s Monumenta 2012 at the Grand Palais, Paris.

Our Sorrows, a new video from Julia Holter.

I, Cyclops: Monocularity in a 3-D World.

JG Ballard: The Concordance.

• RIP Pete Cosey.

• Pete Cosey with Miles Davis et al, November 1973: Ife | Turnaroundphrase