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The men with swords theme exhausts itself pretty quickly unless you want to draw continual attention to martial statuary, or those softcore beefcake photos where—as we’ve seen on several occasions—the sword is a subterfuge for other concerns. Hans Thalhofer (or Talhoffer: c. 1420–c. 1490) was a German fencing master whose Fechtbuch von 1467 is worth looking [...]

An untitled drawing by Sadao Hasegawa from Japanese Gay Art, an English-language site with a substantial collection of works by Hasegawa and others, all of which are for sale. Examples run the spectrum from Gengoroh Tagame‘s beefcake S&M to Hideki Koh‘s delicate geisha boys. Something for everyone, in other words. There are also artist interviews, and [...]

Stowitts photographed by Nickolas Muray. The title is from two gallery pages at the Queer Arts Resource which runs through a history of the old subterfuge whereby homoerotic pictures were decorated to look suitably Greek or Roman. This seldom fooled anyone, even in Oscar Wilde’s day, but it no doubt helped to keep the studios [...]

Hand In Glove (1973) by The Smiths, 7″ single. This celebrated pair of buttocks turned up in the inbox this week, courtesy of a news mail from the Manchester District Music Archive announcing their Queer Noise website, an online exhibition exploring LGBT music and club culture in Greater Manchester. It was just over a year [...]

Michael Powell’s Peeping Tom is fifty-years old this year, an occasion celebrated with a limited UK cinema run and a reissue on Blu-ray and regular DVD. This was the film which famously ended Powell’s career as a director in Britain for reasons which have never been quite clear. Was the film’s critical vilification the culmination [...]

Shiny bequiffed poser wants to be left alone to contemplate…something or other. An example of the Flandrin pose from the beefcake era which comes via a Vintage Gay Themed Photos set at Flickr. Elsewhere on { feuilleton } • The recurrent pose archive

In honour of the overturning of Prop 8 in California—and because I haven’t posted one of these for a while—another piece of beefy weapon-handling. No idea who this fellow is but he can be seen a lot bigger (if not actually tumescent) at the Haunted Lamp, a place of assorted delights that you really ought [...]

The Crusader by George Quaintance (1943). Continuing an occasional series, I was hoping to find the original photo which George Quaintance used as a model for this painting but failed dismally. I did find the photo below, however, a piece of Roman camp by beefcake photographer Alonzo Hanagan, aka ‘Lon of New York’ on this [...]

Continuing the series of posts about Jugend magazine, all these samples are from the issues for 1897. This is where things start getting really interesting graphically so I’m only posting a very small selection from 900 pages of content. As before, anyone interested is advised to examine the complete volumes which can be viewed and [...]

Further additions to the Men with swords archive courtesy of The Other Andrew. The model is one Peter Gordon who appeared with his brother, Sandy, in physique sessions photographed by “Spartan” in the 1950s. I don’t know whether these shots came from VMP originally but that site has the same pictures and many more, and [...]

Demons and beefcake – the other side of Francis Bacon

Moss Roberts photographed by James Bidgood. I missed this back in January, a great version of the Flandrin pose by James Bidgood, the justly-celebrated beefcake photographer and director of that micro-budget masterwork of gay erotica, Pink Narcissus (1971). The photo was part of a feature commissioned by Out.com which asked notable photographers to present a [...]

An ad campaign which can’t possibly be ignored given the present train of obsessions. Andrés Ramírez photographs a collection of tight packages for underwear manufacturer, Macho. I’m not sure what a group of Roman gladiators would be doing sparring in what appears to be a Bollywood boudoir like the one in Moulin Rouge! but, ya [...]

Or should that be hussy? What’s the male equivalent of a hussy anyway? I think we should be told, etc. The beefcake model is George O’Mara and the 19th century military gear makes a change from the usual Greek or Roman props. Elsewhere on { feuilleton } • The men with swords archive

Men and their swords. • Swords against death • Tamotsu Yato’s men with katanas • Fechtbuch von 1467 • The Classical alibi in physique photography • Men without swords • Totem and tattoo • Vintage swordplay #5 • The art of Dmitry Dmitriev • Vintage swordplay #4 • Sabre-rattling • Salomé scored • Fencing fashion [...]

Baccant (1956) by George Quaintance. Fizeek Art Quarterly was an American magazine of gay art and erotica which ran for 26 issues from 1961 to 1969. Artists included Tom of Finland and—as can be seen above—George Quaintance. The Fizeek Art Weblog continues the tradition of the magazine by posting extracts from old issues as well [...]

Another vintage find courtesy of The Other Andrew. (Thanks, Andrew!) The tag on this photo revealed the model to be one Steve Wengryn and since I’m not an expert on these beefcake types this was news to me. A swift search also revealed that Steve was a popular model in the 1950s and posed for [...]

Edgar Hayes (Beach) (1957). Bruce of Los Angeles is a new exhibition of beefcake photos from the Fifties and Sixties at Wessel + O’Connor, NYC, which opens today and runs until December 20, 2008. Bruce’s name is a very familiar one to aficionados of physique photography and I imagine some of these prints will be [...]

Even though I never really noticed before it’s become fairly obvious that adding a sword to a beefcake photo was a way of lending some spurious historicity to an otherwise overt piece of male nudity, the cheap version of having models pose among Greek or Roman ruins. Not that I’m complaining, of course. This example [...]

Laocoön and His Sons attributed to Agesander, Athenodoros and Polydorus of Rhodes (c. 160–20 BCE). No jokes about snakes in a frame, please. Bram Dijkstra’s Idols of Perversity: Fantasies of Feminine Evil in Fin de Siècle Culture (1986) is a wide-ranging study of the “iconography of misogyny” in 19th century painting. Dijkstra examines the numerous [...]