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Hollywood at Night (2006).
Alexis Rockman’s paintings of swamped or ruined American landmarks present views which are a novelty in contemporary art galleries whilst being very familiar to science fiction readers. Many of these could well be illustrations for JG Ballard’s 1981 novel, Hello America, which imagined a depopulated United States reclaimed by flora and fauna. [...]

Impossible to avoid thoughts of either JG Ballard or various apocalyptic horror and science fiction scenarios when looking at these photos of Sydney, Australia, taken a few hours ago. A cloud of red dust passed over the city in the early morning and the depopulated views only add to the eerie atmosphere. These are from [...]

Dream House #3 (2009).
Many of Michael Dotson’s vivid acrylic paintings would make good illustrations for JG Ballard books or for some of his more hallucinatory short stories. Not all of these stylised urban landscapes and empty sports arenas have the requisite latent menace to be truly Ballardian but the anomalous black pyramid in Dream House [...]

Panther Books paperback edition, 1968; cover painting: The Eye of Silence by Max Ernst.
If I can’t remember when I first encountered JG Ballard’s work, it’s not because I was reading him at a very early age, more that a childhood enthusiasm for science fiction made his books as omnipresent in my early life as any [...]

A curious short film over at Ubuweb by Chris Marker, John Chapman and Frank Simeone, depicting driftwood sculptures at the shore of San Francisco Bay which resemble the remnants of some Ballardian cargo cult. The film was made in 1981 and the sculptures look weathered and dated enough (rainbow stripes; what appears to be a [...]

A visitor examining Seizure. Photograph by Sarah Lee.
I’d love to see this installation work which opened on Wednesday at 157 Harper Road, Southwark, London. British artist Roger Hiorns has transformed a flat awaiting demolition by growing thick mats of copper sulphate crystals on all the interior surfaces, a work he calls Seizure. Copper sulphate always [...]

JG Ballard. Autòpsia del nou mil·lenni is an exhibition at the Centre de Cultura Contemporània de Barcelona which takes the work of everyone’s favourite Shepperton resident as its theme. The exhibition runs to November 2nd, 2008 and the website includes a blog where Spanish readers can explore the “Univers Ballard”. For Anglophones, curator Jordi Costa [...]

Retroactive I (1964).
My youthful enthusiasm for art acquainted me with the name of Robert Rauschenberg (who died two days ago) earlier than most. Surrealism and Pop Art held an appeal that was immediate, if rather superficially appreciated at the time, and it was seeing works from both those movements which were the most memorable aspect [...]

Via Ballardian:
In 1984 J.G. Ballard called for a ‘Festival of Home Movies’ and 24 years on we’re happy to oblige: announcing our latest competition, to promote JGB’s forthcoming autobiography, Miracles of Life. Presented by ballardian.com and HarperCollins UK, the competition will utilise ‘modern electronics’ as specified above, of an especial type that Ballard with [...]

The Unlimited Dream Company
| Sam Scoggins’ 1983 Ballard film unearthed at Ballardian!

An unmade high-concept from Hammer Films’ early Seventies dalliance with pulp adventure, if you must know. Via Boing Boing via Jess Nevins via Airminded where we learn:
The story was along the lines of THE LAND THAT TIME FORGOT, with a German Zeppelin being blown off-course during a bombing raid on London and winding up at [...]

Motorway City by Hawkwind, Flicknife Records single (1983).
This month’s issue of Record Collector magazine has a feature about Hawkwind which featured my Motorway City sleeve among its illustrations. It was odd seeing this again, being a single it doesn’t turn up so often and it has the distinction of being one of the oldest [...]

Moorcock on Ballard
Great interview at Ballardian.

Michelangelo’s ‘David’ (1987).
In a similar vein to the dismembered Soviet monument in the previous post, there’s the sculpture of the late, great Eduardo Paolozzi (1924–2005). The giant head of Invention is especially impressive when seen in situ outside London’s Design Museum, its pieces separated by the words of a Leonardo da Vinci quotation: “Human subtlety [...]