Weekend links 32

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Red Quechquemitls (2010) by Sylvia Ji.

• The Blackout Mix, a pay-what-thou-wilt 49-minute mixtape, “specially designed to accompany (or simulate) a human-plant interaction”. Art by Arik Roper, music selection by Jay Babcock.

An ode to the many evolved virtues of human semen: “the penis is capable of dispensing a sort of natural Prozac” says Jesse Bering.

• The new John Foxx CD & DVD release, D.N.A., has a Jonathan Barnbrook cover, a new collaboration with Harold Budd and a disc of short films.

• “I have been copying Margaret Hamilton my whole life, and I am proud to admit it. The Wicked Witch of the West, the jolie laide heroine of every bad little boy’s and girl’s dream of notoriety and style, whose twelve minutes of screen time in The Wizard of Oz can never be topped … I’m a big butch-lesbian hag. I love the ones with chips on their shoulders and heavy attitude. They’re my real favorites.” John Waters always gives great interviews.

• Listen to a track from the forthcoming Brian Eno album while you’re reading Kristine McKenna’s interview with the man himself at Arthur mag. Includes an appreciation by Alan Moore.

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Atropa Bella Donna (2009) by Sylvia Ji.

• Steven Severin is touring the UK this month, performing a live accompaniment to screenings of Jean Cocteau’s The Blood of a Poet. He’s at the Tyneside Cinema this Tuesday. Other dates can be found on his website.

• “I know it’s a very emotive subject and you’re either for it or against it but for a jobbing self-employed musician such as me – bootlegging (CD copying) is just killing us.” Finding The Spaces Between: musician Chris Carter (Throbbing Gristle, Chris & Cosey, et al) interviewed.

Mile End Pugatorio (1991), a one-minute film-poem by Guy Sherwin and Martin Doyle. Related: four one-minute movies by The Residents.

• Gijs Van Vaerenbergh installed an Upside Dome at the St. Michiel Church in Leuven, Belgium.

• Sidney Sime illustrates Lord Dunsany at Golden Age Comic Book Stories.

Europe according to gay men. There’s more at Mapping Stereotypes.

• There’s never a dull moment in the High Desert.

• Generative art by Leonardo Solas.

Strange Attractor Salon

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Some of my work makes a rare appearance in the gallery world next month as part of the Strange Attractor Salon at Viktor Wynd Fine Art, London. The Major Arcana (2006) will be one of the designs on display as a large print with its occult theme complementing the esoteric tenor of the exhibition. Not sure how busy I’ll be in the New Year but I may be down there for the opening on the January 7th.

The first Strange Attractor Salon will be held at Viktor Wynd Fine Art (incorporating The Little Shoppe of Horrors), 11 Mare Street, London, UK, E8 4RP, between 7 and 31 January 2010. The exhibition will gather together, for the first time, a selection of art and illustration from Strange Attractor’s contributors, friends, allies and inspirations.

Like our books and events the Salon will incorporate a wide range of media (painting, drawing, photography, sculpture, sound and video) from both trained and untrained artists. The assembled exhibitors all share Strange Attractor’s fascinations with inner space, craft, science (natural and unnatural) and the fantastic.

Confirmed contributing artists are:
Joel Biroco * Richard Brown * Ossian Brown * John Coulthart * Rod Dickinson * Disinformation * Tessa Farmer *Blue Firth * Alison Gill * Doug Harvey * Josephine Harvatt * Stewart Home * Julian House * Ali Hutchinson * Alyssa Joye * Maud Larsson John Lundberg * Eleanor Morgan * Drew Mulholland * Katie Owens * Edwin Pouncey * Arik Roper * Gavin Semple * Martin Sexton * Catharyne Ward  * Eric Wright *

Previously on { feuilleton }
SAJ again
Strange Attractor Journal Three
The Major Arcana

New things for April II

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Another work-related update. This HP Lovecraft collection is published by Barnes & Noble next month and features my colour rendering of the rising monstrosity on its cover. Nice to have something decorating an actual Lovecraft book, the second time this has happened (first time was for a French volume). B&N also sell my own book, of course (with, er…the same cover pic).

And another shout-out, for a preview of Arik Roper‘s new book, Mushroom Magick: A Visionary Field Guide, at Abrams. Read an extract from Erik Davis’s introduction here.

Via Further.

Previously on { feuilleton }
The art of Arik Roper

Harry Smith revisited

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Harry Smith in the middle of the Twentieth Century with some of his drawings.

The first European exhibition of work by artist, writer, filmmaker, collector, Kabbalist, ethnographer…okay, polymath Harry Smith, opens today at the Reg Vardy Gallery, Sunderland. The exhibition runs from 2nd May–8th June 2007. In addition, there’s a companion exhibition, Harry Smith Anthology Remixed, at alt.gallery from 8th May–30th June. Among his many accomplishments, Smith compiled the landmark Anthology of American Folk Music and the latter showing features 84 musical and non-musical artists responding to each of the 84 songs which comprise that collection.

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Heaven and Earth Magic (1962).

Harry Smith: Hobbies and films

2nd May–8th June 2007

Reg Vardy Gallery
School of Arts, Design, Media & Culture
University of Sunderland
Ashburne House
Ryhope Road
Sunderland
SR2 7EF

Reg Vardy Gallery is proud to host the first European exhibition devoted to Harry Smith’s films and hobbies.

Smith, who died in 1991, was a polymath of the highest order. With his coke bottle glasses, slight hunchback and long, bony tobacco-stained fingers, Smith dedicated himself to a life of seemingly infinite interests. He collected Seminole patchworks and painted Ukranian Easter eggs. He was a leading authority on string figures (such as the ‘cat’s cradle’) and made a study of the underlying principles of Highland tartans. He recorded the peyote songs of the Kiowa Indians and in a project entitled “Materials for the Study of Religion and Culture in the Lower East Side”, made vast live recordings of traffic noises, children’s jump-rope rhymes and city birdsong, as well as the drug talk of junkies and the death-rattles and prayers of hobos in Bowery flophouses (where he himself lived in poverty for some time).

He was one of the most influential figures in avant-garde film, developing new and ingenious methods of animation, and he collected thousands of folk records which later formed the basis for the work he is best remembered for—the Anthology of American Folk Music—the seminal collection of early music recordings that was in a large part responsible for triggering the folk music revival of the 1950s and 60s.
George Pendle

This exhibition includes a variety of Smith?s eccentric ethnographic collections, or what he called “Encyclopaedias of Design” such as string figures, Pysanky (Ukrainian Easter eggs), early sound recordings, and a range of his hand-painted, stop-motion and collaged animations such as Early Abstractions, and Late Superimpositions. The exhibition will also include documentation of Smith?s paper airplane collection. This unusual and rare collection is comprised of hundreds of paper airplanes found by Smith on the streets of New York City from the late 1960s to the early 1980s. This exhibition of the hobbies and artistry of Harry Smith has been organised in collaboration with the Harry Smith Archives and Anthology Film Archives, New York. George Pendle writes for Frieze, Cabinet, and the Financial Times . His most recent book Strange Angel (Weidenfeld & Nicolson, 2005) traces the life of the eccentric rocket scientist John Whiteside Parsons. Both Parsons and Harry Smith were heavily involved with the occult fraternity—the Ordo Templi Orientis.

Harry Smith Anthology Remixed

8th May–30th June

alt.gallery
61/62 Thornton Street
Newcastle Upon Tyne
NE1 4AW

anthology.jpgThe exhibition brings together the work of 84 leading artists and musicians, who have been invited to make a visual artwork in response to 1 track each from the groundbreaking music release the Anthology of American Folk Music. The Anthology was edited by seminal New York artist, musicologist and experimental filmmaker Harry Smith, and first published by Folkways in 1952.

The Anthology is comprised entirely of recordings issued between 1927 (the year electronic recording made accurate reproduction possible) and 1932 when the Depression stifled folk music sales. Harry Smith used the new LP technology to create an unbroken sequence of songs, divided into three colour coded sets, which represented three elements: air, fire and water. The Anthology is considered to be one of the most important collections of information in modern society, creating a folk canon and contributing to numerous folk revival movements.

This exhibition aims to create a new visual collection of the Anthology, to continue the collective history and revival of the work, as seen through the eyes of contemporary visual artists and musicians. The exhibition includes artists from the Europe, Japan and the US reflecting a diverse and exciting range of practice including: visual art, outsider art, comic book, design, craft and illustration.

Exhibition curated by Rebecca Shatwell. A specially commissioned essay by David Keenan accompanies the exhibition and can be downloaded here.

Harry Smith Anthology Remixed includes work by: Dave Allen, Jonathan Allen, Diane Barcelowsky, Marcia Bassett, Eric Beltz, Hisham Bharoocha, Jesse Bransford, Vashti Bunyan, Jelle Crama, Jaron Childs, Rob Churm, Marcus Coates, Karen Constance, Christian Cummings & Jed Lackritz, Dearraindrop, Arrington di Dionyso, Graham Dolphin, Bill Drummond, Jorn Ebner, Espers, Peter J Evans, Yamataka Eye, Jad Fair, Feathers Family, Kyle Field, Alec Finlay, Devin Flynn, Iain Forsyth and Jane Pollard, Luke Fowler, Chris Graham, Susie Green, Doug Harvey, A Hawk And A Hacksaw, Rama Hoffpauir, Dan Howard-Birt, Zoe Irvine, Rich Jacobs, Juneau Projects, Seth Kelly, Jeffrey Lewis, Linder, Derek Lodge, Lone Twin, Robert AA Lowe, Ant Macari, The Matinee Orchestra, Maya Miller, Gean Moreno, Heather Leigh Murray, Michael Nyman, Dylan Nyoukis, John Olson, John Orth, Paper Rad, Mike Paré, Plastic Crimewave, Dave Portner, Devin Powers, Adam Putnam, The Rebel, Ginnie Reed, Clare E Rojas, Chris Rollen, Arik Roper, Giles Round, Royal Art Lodge, Mathew Sawyer, David Sherry, Ross Sinclair, DJ Spooky, Andre Stitt, Philip Taaffe, Vernon & Burns, Daryl Waller, Flora Whiteley, Michael Wilson, Simon Woolham, Andrew Jeffrey Wright, C. Spencer Yeh, Yokoland, zoviet*france

The Harry Smith Archives
American Magus: Harry Smith—A Modern Alchemist

Previously on { feuilleton }
Meshes of the Afternoon by Maya Deren
Jodorowsky on DVD
Jordan Belson on DVD
The art of Arik Roper
Wallace Burman and Semina
The art of Cameron, 1922–1995
Kenneth Anger on DVD…finally
Ten films by Oskar Fischinger
Lapis by James Whitney
The art of Harry Smith, 1923–1991
La Villa Santo Sospir by Jean Cocteau
Expanded Cinema by Gene Youngblood
The Invasion of Thunderbolt Pagoda

The art of Arik Roper

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Semyaza (2007).

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Witch Banner (2006): Witch South x Southwest banner.

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Eyehategod NYC (2005): NYC show poster.

Arik Roper produces much band artwork and design (including for Boris who I’ve been listening to a lot this week). He’s also part of the splendid Arthur posse. Go thou to his work and marvel.

Previously on { feuilleton }
Underground history
Barney Bubbles: artist and designer