{ feuilleton }

In the week that celebrates the 50th anniversary of the Apollo 11 mission to the Moon here’s a cosmic flashback from 1984. (I wrote about my own memories of the Apollo era in July, 2009.) Mind Of The Universe was an ambitious outdoor performance of music by Isao Tomita for the annual Ars Electronic Festival […]

I’m surprised this has managed to evade my attention for the past eight years but better late than never. Into the Vortex is an hour-long music mix by Radio Soulwax whose visuals are one answer to the question of how best to illustrate a diverse playlist, if illustrate you must. The solution, directed by Wim […]

Roger Dean book covers last week; this week it’s postage stamps. These are exclusive to the Isle of Man Post Office, unfortunately, so there’s little chance of buying them over the counter in mainland Britain. First day covers, presentation packs and individual sheets may be ordered from the post office website, however. For those who […]

The organisers of the Things to Come exhibition at the Petach Tikva Museum of Art, Israel, sent me their photos of the show earlier this week. As with the other recent exhibitions that I haven’t managed to attend it’s good to see how everything looks in situ, and also see some of the other exhibits. […]

Snowflakes Are Dancing (1974); art direction; Joseph J. Stelmach; artwork: David B. Hecht. The Japanese composer Isao Tomita died last week so I’ve been listening to some of his early recordings, and thinking—as usual—about their cover designs. Tomita was by far the best of the many electronic musicians in the 1970s who took advantage of […]

A septet of 7-inch single sleeves from Eastern Bloc Songs, a small but well-selected repository of sleeve art from the record labels of the Eastern Bloc. I’d looked at the album art before but had missed the singles, some of which feature more impressive designs than their 12-inch counterparts. Of special interest are designs that […]

Oliver Wasow‘s artwork for It’s All Around You (2004), an album by US group Tortoise, contains some fine examples of disjunctive (Surrealist, if you must) collage landscapes. This is a sub-genre of collage that I’ve always enjoyed, especially when it’s carefully done, and I was wondering recently whether Wasow had done anything similar for other […]

This is one record label I’d not come across before. According to this page Orphic Egg “was a subsidiary label for London Records which was formed in 1972 and lasted about a year. The label was formed to try to capture classical music for the counterculture youth of the time (often called “heads”). Liner notes […]

1: The Psychedelic Snarl. A few words in praise of Rubble, the 20-disc collection of (mostly) British psychedelic singles released by the Bam Caruso label from 1984 to 1991. A reader of Rob Chapman’s Psychedelia and Other Colours would find the Rubble series an indispensable companion to the second half of the book which explores […]

After Bathing At Baxter’s (1968) by Jefferson Airplane (front). More psychedelia, although Ernst Fuchs could be considered psychedelic to some degree, and I did give him a mention in the piece I wrote for Communication Arts earlier this year. Keiichi Tanaami is less well-known in the west than Tadanori Yokoo despite the pair being contemporaries. […]

A copy of the cover art that I attempted to colour-correct some years ago to compensate for the poor print reproduction. This month I’m in Record Collector magazine talking in a sidebar feature about my work on the Hawkwind album The Chronicle of the Black Sword. The issue is Hawkwind-heavy, with a Nik Turner interview, […]

Cover art by Wilfried Sätty. Lettering by David Singer. Collage artist Wilfried Sätty has been in my thoughts this month, it being ten years ago that Jay Babcock, Richard Pleuger and I drove up to San Francisco and Petaluma to talk to Walter Medeiros and David Singer about Sätty’s life and work. Looking today at […]

Informal Jazz (1956) by Elmo Hope Sextet. Yesterday’s post made me realise I’d never looked to see how many album covers Ralph Steadman might have designed or illustrated. A quick delve into Discogs revealed the following haul, a couple of which I own on CD. Steadman has worked in a wide range of media but […]

Shots (1977) by Steve Lacy. Continuing an occasional series about artists or designers whose work has been used on record sleeves. The life and work of Brion Gysin (1916–1986) is the subject of a new exhibition, Unseen Collaborator, that opened last week at October Gallery, London. The gallery page mentions Gysin’s connections to the music […]

All The Years Round (7-inch single, 1972). I mentioned earlier that Falk-Ulrich Rogner’s cover art for Amon Düül II was worthy of a post so here you are. Amon Düül II were slightly ahead of the pack in the German music scene of the 1970s, starting earlier and (arguably) finishing their prime period earlier. They […]

Revelation of the weekend has been the discovery that there are two sets of (for want of a better term) Krautrock Tarot cards. The first, Walter Wegmüller’s Zigeuner Tarot, is familiar for being included in the Tarot concept album released on the Kosmischen Kuriere label in 1973. The album was credited to Wegmüller but he only […]

Cyborg (1973) by Klaus Schulze. More German music design. Once you start delving into the music produced in Germany between 1969 and 1975 you eventually notice that a) the good albums generally have decent cover designs, and b) there are many justly forgotten albums with astonishingly tasteless artwork. Most of the well-known names were smart […]

Kraftwerk (1970); Kraftwerk 2 (1972). Design by Ralf Hütter. Recent posts about Kraftwerk’s design history had me wondering how the group might present the first three albums if these repudiated works were allowed back into the catalogue. Kraftwerk, Kraftwerk 2, and Ralf and Florian haven’t been officially reissued for decades now, and I remain sceptical […]

1: Autobahn (1974), an album by Kraftwerk. Cover art by Emil Schult. 2: Autobahn (1974), a single by Kraftwerk. 3: Doppelalbum (1974), a double-disc compilation album by Kraftwerk.

Henryk Wieniawski / Alexander Glazunov: Violin Concerto No. 2 In D Minor / Violin Concerto In A Minor (1965); Ida Haendel, Prague Symphony Orchestra, Václav Smetácek. Artwork: Morning Star (1902). Continuing an occasional series about artists or designers whose work has been used on record sleeves. Note that this is a selection of works by Alphonse […]