Mar 27, 2013

St Eustace (c. 1501) by Albrecht Dürer. As is often the case with his engraving on religious themes, Dürer is less concerned with the Biblical story—in this case St Eustace’s vision of Christ appearing between the horns of a stag—than with the opportunity to render with great fidelity a wealth of natural detail. Everything here [...]
Jun 1, 2012

The idle question “Where can you find the best reproduction of Albrecht Dürer’s Melencolia I?” was answered at the Google Art Project where there are four different prints to examine. As usual it seems churlish to complain but I would have preferred one decent copy and a few more Dürer engravings in place of the [...]
May 13, 2012

Bob Staake’s cover illustration acknowledges President Obama’s statement last week in favour of gay marriages. • Related to the above: Gay rights in the US, state by state, an infographic and a useful riposte to people like Orson Scott Card (yes, him again) who claim that gay Americans are equal in everything but the right [...]
Mar 26, 2010

Albrecht Dürer’s Triumphal Arch (1515), a wall-sized print produced by 192 separate print blocks. I had a good look at this the last time I was the British Museum. The Museum’s site has some sample details of the work but the size of them isn’t so good, unfortunately. This is one of those pictures you [...]
Jan 15, 2009

Albrecht Dürer’s Self-portrait of 1498 as revealed by a new collaboration between Madrid’s Prado Museum and Google Earth. Google has photographed a number of the Prado’s paintings in ultra-high resolution, allowing users of their atlas application to examine the pictures to a degree which the artists themselves wouldn’t have experienced without the use of a [...]
Dec 3, 2007

Previous posts about etchings and engravings. • Doorways • Eustace details • The Library of Babel by Érik Desmazières • The labyrinth of Versailles • Atalanta Fugiens • Athanasius Kircher’s pyramids • The Royal Natural History by Richard Lydekker • Animating Piranesi • Melencolia details • Le style Louis XV • Sea and Land: An [...]