Tygers of Wrath

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ImageTexT is an excellent web publication produced by the English Department at the University of Florida whose objective “is to advance the academic study of comic books, comic strips, and animated cartoons”. The subject of the latest edition is “William Blake and Visual Culture” and to this end includes my written and visual account of the Tate Gallery’s William Blake event from February 2001. That evening of song and performance featured Alan Moore and Tim Perkins’ piece about Blake’s life (with my video accompaniment), a work that was later released as the Angel Passage CD. ImageText 3-2 also includes an essay by Roger Whitson, Panelling Parallax: The Fearful Symmetry of William Blake and Alan Moore.

Previously on { feuilleton }
Of Moons and Serpents
Watchmen
Alan Moore interview, 1988

Of Moons and Serpents

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It’s lunar, it’s serpentine, it’s grandly thaumaturgical. Cover design by yours truly.

Via Top Shelf:

Splendid news for boys and girls, and guaranteed salvation for humanity! Messrs. Steve and Alan Moore, current proprietors of the celebrated Moon & Serpent Grand Egyptian Theatre of Marvels (sorcery by appointment since circa 150 AD) are presently engaged in producing a clear and practical grimoire of the occult sciences that offers endless necromantic fun for all the family. Exquisitely illuminated by a host of adepts including Kevin O’Neill, Melinda Gebbie, John Coulthart, José Villarrubia and other stellar talents (to be named shortly), this marvelous and unprecedented tome promises to provide all that the reader could conceivably need in order to commence a fulfilling new career as a diabolist.

Its contents include profusely illustrated instructional essays upon this ancient sect’s theories of magic, notably the key dissertation “Adventures in Thinking” which gives reliable advice as to how entry into the world of magic may be readily achieved. Further to this, a number of “Rainy Day” activity pages present lively and entertaining things-to-do once the magical state has been attained, including such popular pastimes as divination, etheric travel and the conjuring of a colourful multitude of sprits, deities, dead people and infernal entities from the pit, all of whom are sure to become your new best friends.

Also contained within this extravagant compendium of thaumaturgic lore is a history of magic from the last ice-age to the present day, told in a series of easy-to-absorb pictorial biographies of fifty great enchanters and complemented by a variety of picture stories depicting events ranging from the Paleolithic origins of art, magic, language and consciousness to the rib-tickling comedy exploits of Moon & Serpent founder Alexander the False Prophet (“He’s fun, he’s fake, he’s got a talking snake!”).

In addition to these manifold delights, the adventurous reader will also discover a series of helpful travel guides to mind-wrenching alien dimensions that are within comfortable walking distance, as well as profiles of the many quaint local inhabitants that one might bump into at these exotic resorts. A full range of entertainments will be provided, encompassing such diverse novelties and pursuits as a lavishly decorated decadent pulp tale of occult adventure recounted in the serial form, a full set of this sinister and deathless cult’s never-before-seen Tarot cards, a fold-out Kabalistic board game in which the first player to achieve enlightenment wins providing he or she doesn’t make a big deal about it, and even a pop-up Theatre of Marvels that serves as both a Renaissance memory theatre and a handy portable shrine for today’s multi-tasking magician on the move.

Completing this almost unimaginable treasure-trove are a matching pair of lengthy theses revealing the ultimate meaning of both the Moon and the Serpent in a manner that makes transparent the much obscured secret of magic, happiness, sex, creativity and the known Universe, while at the same time explaining why these lunar and ophidian symbols feature so prominently in the order’s peculiar name. (Manufacturer’s disclaimer: this edition does not, however, reveal why the titular cabal of magicians consider themselves to be either grand or Egyptian. Let the buyer beware.)

A colossal and audacious publishing triumph of three hundred and twenty pages, beautifully produced in the finest tradition of educational literature for young people, The Moon and Serpent Bumper Book of Magic will transform your lives, your reality, and any spare lead that you happen to have laying around into the purest and most radiant gold.

A 320-Page Super-Deluxe Hardcover, co-written by Alan Moore and Steve Moore, and illustrated by various luminaries from the comic book field.

Cover design by John Coulthart.

A 2009 RELEASE!
ISBN 978-1-60309-001-8

In print

magazines1.jpgBattling through the Xmas post, two new volumes arrived here this week, from Black Velvet and Black Dog Publishing respectively. First up was Serpenti & Scale, the Italian edition of Snakes & Ladders by Alan Moore and Eddie Campbell. This has been available for some time in English, of course. The translated version features some of my artwork for the Moon and Serpent CDs by Alan and Tim Perkins in the lengthy interview section that precedes Eddie’s comic strip. Thanks to Smoky Man for that.

Inevitably overshadowing this was 100 Years of Magazine Covers which author Steve Taylor very graciously had sent to me. A heavyweight book in all senses of the word, with a solid cover, thick paper stock and tremendous design by Neville Brody. Taylor navigates the overcrowded field of 20th-century magazine design with great skill, managing to cover all the principal areas of magazine as news medium, fashion journal, literary forum and vehicle of cultural transgression, whether that be the Sixties’ underground, Seventies’ punk or the disparate worlds of gay life and feminism. Illustrations range from the elegance of early Collier’s and Vogue to the garish incoherence of today’s celebrity rags such as Heat. Given such a broad field of study there are bound to be omissions; I would have liked to have seen something from the New Worlds of the late-Sixties, for example, and maybe one of the Non-Format covers for The Wire. But they got Lilliput in there which is pretty impressive considering that magazine now seems to be largely forgotten. Essential stuff.

Previously on { feuilleton }
It’s a pulp, pulp, pulp world
A few thousand science fiction covers
Vintage magazine art II
Neville Brody and Fetish Records
View: The Modern Magazine
Vintage magazine art
Oz magazine, 1967–73

The Haunter of the Dark

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Today sees the publication of my collection of Lovecraft adaptations and illustrations, The Haunter of the Dark and other Grotesque Visions (Creation Oneiros) in the US, although I’ve no idea what’s out there right now. Confusion reigns on the online front with Amazon.com saying the book isn’t out yet while Barnes & Noble says it’s a new title that’s out of stock. Presumably things will settle down in the next week or two, in the meantime you can order copies, of course. UK release has been put back a few more weeks but the book should be available in October: Amazon.co.uk.

Sample pages and previous book news can be seen here.

“At its far edge, horror shades into beauty, and it is far beyond
that edge that Coulthart takes us, into terrible magnificence.”
Alan Moore, in the book’s introduction

“A terrific book, haunting and beautiful.
That writer from Providence would have been proud…”
Neil Gaiman

New things for August

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A couple of updates to the site this month. Firstly there’s another interview with Eroom Nala focussing on life, art and (inevitably) my forthcoming Haunter of the Dark book.

And I’ve finally got round to expanding the line of CafePress products (T-shirts and a larger poster print) for my Kabbalah poster which seems to be my most popular work judging by sales there. This surprises me seeing as it was done on a whim in 2000 after a visit to London. Alan Moore later used it in an issue of Promethea but I don’t know whether the people interested in it are Promethea fans or some of the new breed of Kabbalists.

I’ll be adding more products for other lines, and some new things, as time permits over the next few weeks.

Update: CafePress have decided that my artwork may need “copyright clearance”. So don’t bother trying to buy anything just yet.

Update 2: CafePress tell me that “Transport for London provided us with a notice stating that the use of the London Underground Roundel infringes upon their intellectual property rights”. I presume this means now I’ll have to amend the artwork to remove the offending article. Copyright hell: it’s the wave of the future. Get used to it. See this Boing Boing post for a good example of London Transport’s dead hand.

Update 3: Products reworked with slightly amended artwork although for some reason the page is still showing the old items.