Le Voyage dans la Lune

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The title of Georges Méliès’Le Voyage dans la Lune (1902) is usually given the English translation of A Trip to the Moon, the word “trip” being an apt one when the lunar voyagers discover a landscape of giant mushrooms and crab-clawed inhabitants similar to the Selenites in HG Wells’ The First Men in the Moon (1901). I linked to a copy of this film years ago but these shots are from the recently reissued colour version, a print of which was discovered in 2002. The new version also includes a previously lost scene at the end. The soundtrack is by the French group Air. The more time elapses, the stranger these films seem. Queen Victoria had only been dead a year when this one was made; some of the young women here may have lived long enough to see the Apollo missions.

Previously on { feuilleton }
A Trip to Mars
Lunation: Art on the Moon
Somnium by Steve Moore
Blood on the Moon
Mushrooms on the Moon
Filippo Morghen’s Voyage to the Moon

Weekend links 127

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M15, The Whirlpool Galaxy photographed by Martin Pugh. The overall and deep space winner of Astronomy Photographer of the Year, 2012.

The Final Academy, the series of William Burroughs-themed events that took place in London and Manchester in 1982, will be celebrated at the Horse Hospital, London, on 27th October. Academy 23, a publication edited by Matthew Levi Stevens, will include my report on the Manchester Haçienda performances.

• “Architects are the last people who should shape our cities,” says the thrillingly pugnacious Jonathan Meades in a piece from his new writing collection Museums Without Walls. Andy Beckett reviews the book here.

• Ex-Minimal Compact singer/bassist Malka Spigel talks about her new album, Every Day Is Like The First Day, which can be streamed in full here.

What’s new about the current acknowledgments page is that it’s unsolicited—it appears like an online pop-up ad, benefiting no one but the author and his comrades. This is surely why these afterwords are often so garrulously narcissistic and strewn with clichés. The most radical experimentalist adheres to the most mindless acknowledgments-page formula; the most stinging social critic suddenly becomes Sally Field winning an Oscar.

Sam Sacks at the New Yorker on the blight of novelists’ acknowledgments pages. DG Myers at Commentary Magazine piles on.

• Another streaming album: Composed by Jherek Bischoff. Try Insomnia, Death & The Sea featuring Dawn McCarthy.

• Film of Lindsay Kemp being interviewed in 1977 about his production of Salomé.

Electronic Performers (2004): a video by Machine Molle for the song by Air.

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One of a series of Beardsley-like drawings by Djuna Barnes posted at Strange Flowers. The resurgent Ms. Barnes is mentioned three times in this Terry Castle review of All We Know: Three Lives by Lisa Cohen.

Fictitious Dishes, meals from novels photographed by Dinah Fried.

• Life, the Dinosaurs & Everything: Cosmicomics by Italo Calvino.

The Baby Died: Morbid Curiosities found in Old Newspapers.

• Portishead’s Adrian Utley gives a tour of his synth collection.

• Minimal Compact: Babylonian Tower (1982) | Not Knowing (1984) | When I Go (1985) | Nil Nil (1987).

Weekend links 112

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“Venus moves across the Sun in this image captured by Japan’s satellite Hinode, on June 6, 2012.” Via.

The imagery in Ah Pook covered a wide range of ideas. A train full of Mayan Gods for instance travelled through various time zones to end up alongside a carnival in a red brick town outside St Louis. Then they got out…out of the books Mr. Hart was reading on the train. Fact also alternated with fiction. We could be chugging along with Lizard boys in a Mayan City one moment then switch to a history of Immigration Laws in the US or the development of tape recorders and Speech Scramblers. Then switch to a bright red Shrew boy with a hard-on on a bicycle in Palm Beach at the end of the world. Time was what the book was about: defining it, controlling it and moving back and forth within it.

Malcolm McNeill

Malcolm McNeill talks to The White Review about working with William Burroughs on Ah Pook Is Here. Related: Jan Herman as Publisher of Nova Broadcast Press. Reality Studio has all the Nova Broadcast publications as downloadable PDFs.

• More Graphic Canon news: design historian Steven Heller reports on the project while at Nashville Scene editor Russ Kick talks to Joe Nolan about the books.

• There’s still a couple of days left to hear Martyn Wade’s Blue Veils and Golden Sands, a BBC radio drama about electronic composer Delia Derbyshire.

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“Venus in silhouette, seen between the Earth and Sun, from NASA’s orbiting Solar Dynamics Observatory, on June 5, 2012.” Via.

• From 2010: Video of an hour-long lecture by Alberto Manguel at Yale University on “Borges and the Impossibility of Writing”.

• Bauhaus reflections: Frank Whitford on the design school and the exhibition currently running at the Barbican, London.

• “It’s easier to be gay in the US army than it is to be gay in hip-hop.” Zebra Katz, Mykki Blanco and the rise of queer rap.

• Back at the event site: Another extract from M. John Harrison’s forthcoming novel Empty Space.

• Rare 1959 audio: Flannery O’Connor reads A Good Man is Hard to Find.

Venus Transit 2012 – Ultra-high Definition View (NASA/ESA).

• The kitties just don’t care: Indifferent cats in amateur porn.

What happened to Dorothy Parker’s ashes?

Space Teriyaki 5 at 50 Watts.

Venus/Upper Egypt (1991) by Sonny Sharrock | Venus (1996) by Funki Porcini | Venus (2003) by Air

Weekend links 93

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One of a series of tremendous designs by Malika Favre for a new Penguin edition of the Kama Sutra.

• New interviews: “…Americans — mired in individualism — prefer to think in terms of identity than in terms of roles and masks. An American would never have called a novel Confessions of a Mask.” Nicholas Currie, better known via his Momus mask. | “The horror in music comes from the silence,” says John Carpenter. | “It’s dangerous to be an artist. That’s what we talk about in Naked Lunch — and it’s dangerous on many different levels. Politically it can be dangerous, but psychologically it can be quite dangerous too. You make yourself very vulnerable. You put yourself out there and of course you open yourself up to criticism and attack.” David Cronenberg at the Los Angeles Review of Books.

• New books: Dotter of Her Father’s Eyes, a Joycean memoir by Mary M Talbot and Bryan Talbot. | A stack of new works from Strange Attractor including a collection of Savage Pencil‘s Trip or Squeek comic strips. | Robert Irwin’s Visions of the Jinn: Illustrators of the Arabian Nights. A shame about the high price on the latter but I’m sure it looks wonderful.

• The Blu-ray release of Wings (1927), William A. Wellman’s silent drama about air aces during the First World War, has prompted renewed attention for the passionate relationship between its two male leads, especially this deathbed scene which is tagged as the first same-sex kiss in cinema. That’s arguable, of course, but it’s certainly a touching moment.

• From 2009: Searching the Library of Babel, a list of all the stories in all 33 volumes of The Library of Babel, a 1979 Spanish language anthology of fantastic literature edited by Jorge Luis Borges.

• Lots of newpaper attention in the past week for the not-so-fresh news that magic mushrooms could help fight depression. Nature went into the detail of the latest studies.

French group Air have written the score for a rare colour print of Le voyage dans la lune (1902) by Georges Méliès. Air’s YouTube channel has extracts.

• From 1989: The Merchant of Shadows by Angela Carter.

Will Hunt on the Ghost River of Manhattan.

Selected Letters of William S. Burroughs

Sexy Boy (1998) by Air | Surfing On A Rocket (2003) by Air | Mer Du Japon (2007) by Air.