Weekend links 620


Premonition (1953) by Remedios Varo.

• “Classical mythology, Arcadian idylls, occult speculation, and an interest in cultural curiosities coexisted in the grotto, allowing for the playful exploration of a new tension emerging between Nature and Artifice.” Laura Tradii explores the artificial grottoes of the Renaissance and beyond.

• “Some of the symbols and signs seem like bridges to nowhere, and perhaps Nabokov was lovingly teasing our endless quest to find patterns and generate meaning.” David M. Rubin on writing a response to a Nabokov short story.

• New music: “KMRU & Aho Ssan erupt in post-apocalyptic extremity with Resurgence“. I did the layout for this latest release on the Subtext label but I still haven’t got round to updating my web pages so you’ll have to take my word for it.

• Powell & Pressburger’s Black Narcissus “unleashes a level of eroticism that’s surprising for 1940s British cinema,” says Adam Scovell.

• “Premonitions are impossible, and they come true all the time.” Fiona Sturges reviews The Premonitions Bureau by Sam Knight.

• Between Hell and Paradise: paintings by Hieronymus Bosch and his followers at the Museum of Fine Arts, Budapest.

• At The Collector: Olivia Barrett on the Voodoo Queens of New Orleans.

• Steven Heller’s font of the month is Astronef Super.

• Mix of the week: Isolatedmix 118 by Pan American.

TMP-01 Vintage Synth TV Series from Benge.

• Vale, A Year In The Country.

Premonition (1979) by Simple Minds | Premonition (1980) by Cabaret Voltaire | Premonition (Giant Empty Iron Vessel) (1987) by David Sylvian & Holger Czukay