A journal by artist and designer John Coulthart.
Untitled drawing by Sophie Penrose. • “…many arts producers – much more so than the artists themselves – were over-fearful of the prospect of prosecution, when in nearly all incidents there were no reasonable grounds for bringing charges.” Julia Farrington of Index on Censorship on self-censorship by artists and art institutions in the UK. • … Continue reading “Weekend links 162”
My friend James Marriott died last year. He was 39. His final book, The Descent, a study of Neil Marshall’s acclaimed horror film, is launched on Friday at the Cube Microplex in Bristol. The book is published by Auteur, a UK imprint, in their Devil’s Advocates series. James was finishing the book a year ago … Continue reading “Weekend links 161”
Collage by Jeneleen Floyd. • “…slowly, block-by-block, pedestrians are starting to take back the streets.” Wayne Curtis on the hazards of being a pedestrian in a world of cars. • Michael Hann looks back at LA’s Paisley Underground, and also talks to some of its key members. • Meighan O’Toole interviews JL Schnabel about her … Continue reading “Weekend links 160”
El Banquete Magnético (2011) by Cristina Francov. • Did Vertigo Introduce Computer Graphics to Cinema? asks Tom McCormack. He means Saul Bass’s title sequence which mostly uses still harmonographs but also features some animated moments by John Whitney. • Temple of the Vanities by Thomas Jorion. “Pictured here are political monuments and munitions depots, hulking … Continue reading “Weekend links 159”
Pan II (2012) by Fredrik Söderberg. • “Aubade was a surprise success, selling some 5000 copies and going into a second printing and an edition published in America. Martin was immediately a minor celebrity, being interviewed for articles that couldn’t mention what his book was actually about.” Rediscovering the works of Kenneth Martin. • “I … Continue reading “Weekend links 158”