A journal by artist and designer John Coulthart.
My friend James Marriott died last year. He was 39. His final book, The Descent, a study of Neil Marshall’s acclaimed horror film, is launched on Friday at the Cube Microplex in Bristol. The book is published by Auteur, a UK imprint, in their Devil’s Advocates series. James was finishing the book a year ago … Continue reading “Weekend links 161”
Collage by Jeneleen Floyd. • “…slowly, block-by-block, pedestrians are starting to take back the streets.” Wayne Curtis on the hazards of being a pedestrian in a world of cars. • Michael Hann looks back at LA’s Paisley Underground, and also talks to some of its key members. • Meighan O’Toole interviews JL Schnabel about her … Continue reading “Weekend links 160”
El Banquete Magnético (2011) by Cristina Francov. • Did Vertigo Introduce Computer Graphics to Cinema? asks Tom McCormack. He means Saul Bass’s title sequence which mostly uses still harmonographs but also features some animated moments by John Whitney. • Temple of the Vanities by Thomas Jorion. “Pictured here are political monuments and munitions depots, hulking … Continue reading “Weekend links 159”
Pan II (2012) by Fredrik Söderberg. • “Aubade was a surprise success, selling some 5000 copies and going into a second printing and an edition published in America. Martin was immediately a minor celebrity, being interviewed for articles that couldn’t mention what his book was actually about.” Rediscovering the works of Kenneth Martin. • “I … Continue reading “Weekend links 158”
Elektrik Karousel, a new release on the Ghost Box label by The Focus Group. “For a clue to its moods, think Czech animation, Italian Giallo, early Radiophonics, HP Lovecraft stories, 1960s underground cinema, Lewis Carroll and baroque psych.” Julian House’s package design is “heavily inspired by 1960s underground press and conceived as a kind of … Continue reading “Weekend links 157”