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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the {symbolists} category

 

Bruges in photochrom

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Maison du France. I’ve looked through the Library of Congress collection of photochrom prints many times but somehow never noticed the 20 or so prints of Bruges until now. The Belgian Symbolists recorded their fascination with the Belgian town in paintings, drawings, photographs and Georges Rodenbach’s novel, Bruges-la-Morte (1892). The latter came illustrated by photographs […]

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The art of Jacob Bendien, 1890–1933

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Corner of a Canal (1919–20). This week’s post is another by Sander Bink about a Dutch artist whose work may be unfamiliar to those outside the Netherlands. Jacob Bendien was certainly new to me. My thanks again to Sander for the post. * * * Jacob Bendien, born in Amsterdam in 1890, was one of the […]

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L’Image, 1896–1897

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L’Image was a short-lived French publication dedicated to the art of contemporary wood engraving. Short-lived it may have been but its position at the birth of Art Nouveau means that many of its smaller graphics have been recycled ever since in studies of the period. One of these graphics, a fleuron by Jean-Jacques Drogue, was […]

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The art of Henricus Jansen, 1867–1921

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This week’s post is another by Sander Bink about a neglected artist of the Dutch fin de siècle. Once again, this is an artist whose work was new to me. The Mucha-like style of the later pictures (and the one above from the same series) are especially good. My thanks again to Sander for the […]

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The art of Boleslaw Biegas (1877–1954)

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Univers de la tendresse (1918). This Polish artist came to my attention recently while looking for something in a book about Surrealist art. As before, the web has its uses especially when it comes to discovering more about artists such as Biegas who were never prominent enough to be given more than a passing mention […]

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The art of Antoon van Welie, 1866–1956

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The Artists’ Studio (1906). This week’s post is another by Sander Bink about a neglected artist of the Dutch fin de siècle. There’s no need for me to add a great deal to Sander’s appraisal below other than to point out the evident debt that Antoon Van Welie seems to owe to the Pre-Raphaelites for […]

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The art of Simon Moulijn, 1866–1948

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Landscape, Drenthe (1896). Collection Hein Klaver. Sander Bink’s previous guest posts here concerned some of the forgotten artists of the Dutch fin de siècle, in particular the Beardsley-inspired work of René Gockinga. This new post from Sander is more Symbolist-oriented, with a look at the work of another Dutch artist. * * * Simon Moulijn […]

Posted in {art}, {books}, {design}, {painting}, {symbolists} | 1 comment »

 


Weekend links 410

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William Hope Hodgson’s final Carnacki mystery, The Hog, received its first magazine publication in January 1947. The cover art by AR Tilburne may not have been originally created for Hodgson’s tale but it complements the story’s atmosphere of febrile dread. • It’s still April so that means it’s still the month that saw the 100th anniversary […]

Posted in {art}, {books}, {design}, {electronica}, {film}, {horror}, {music}, {occult}, {symbolists}, {work} | 3 comments »

 


Weekend links 366

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Dandelion (2009) by Tomoko Kashiki. • “Standard Ebooks takes ebooks from sources like Project Gutenberg, formats and typesets them using a carefully designed and professional-grade style guide, lightly modernizes them, fully proofreads and corrects them, and then builds them to take advantage of state-of-the-art ereader and browser technology.” • Obscenity and the Arts, a previously […]

Posted in {animation}, {architecture}, {art nouveau}, {art}, {books}, {design}, {electronica}, {film}, {horror}, {lovecraft}, {music}, {occult}, {painting}, {religion}, {symbolists}, {technology} | Comments Off

 


Weekend links 365

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Il Fascino Della Morte (1988) by Albin Brunovsky. • One of the forthcoming books featuring my cover art is Behold! Oddities, Curiosities, & Undefinable Wonders, a story collection due to be published next month by Crystal Lake Publishing. Bleeding Cool talked to editor Doug Murano about the collection and its contributors. • Six episodes of […]

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Isles of the Dead

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The Isle of the Dead (version five, 1886) by Arnold Böcklin, Leipzig, Museum der bildenden Künste. Reading old comics recently turned up the page below by Philippe Druillet which I didn’t remember having seen before. The drawing is from Gail, one of Druillet’s Lone Sloane stories (but not one included in the Six Voyages of […]

Posted in {art}, {books}, {comics}, {painting}, {science fiction}, {symbolists}, {work} | 1 comment »

 


Weekend links 343

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Sidhe, the white people of the Tuatha Dé Danann (1954) by Leonora Carrington. • January brings a wealth of recommended-reading lists for the new year, together with the feeling that many of those lists are merely clones of each other. Not so the recommendations at Strange Flowers which also includes links to forthcoming events such […]

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Weekend links 317

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Alphonse Mucha’s Le Pater, a book of mystical Symbolism written, designed and illustrated by the artist, was published in a limited edition in 1899. The book has been out of print ever since but Thomas Negovan at Century Guild will be reprinting it later this year. • “Five axioms to define Europe: the coffee house; […]

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The art of Frantisek Kobliha, 1877–1962

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Untitled. Another unfamiliar name, Frantisek Kobliha was a Czech Symbolist whose output includes a great deal of monochrome work in a variety of media: woodcuts, lithographs and the like. This may explain why he doesn’t make the larger Symbolist studies despite the quality of his work. Among his series of prints there’s that Symbolist perennial, […]

Posted in {art}, {black and white}, {symbolists} | 2 comments »

 


Ernst Fuchs, 1930–2015

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It was a surprise to see the death of Austrian artist Ernst Fuchs mentioned on the BBC website since I’d never seen him mentioned in the British media during his lifetime. Fuchs was one of those artists who would have been a natural Surrealist if he’d been born a few years earlier, and his work […]

Posted in {art}, {painting}, {surrealism}, {symbolists} | 5 comments »

 


The nocturnes of William Degouve de Nuncques

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The Blind House (1892). William Degouve de Nuncques (1867–1935) is one of the less well-known Belgian Symbolists but one with a place in art history for the picture above. The mysterious atmosphere of The Blind House (often labelled as The Shuttered House, The Pink House or even The House of Mysteries) was admired by René […]

Posted in {art}, {painting}, {surrealism}, {symbolists} | 5 comments »

 


Tooropia

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The Sphinx (1895). The Dutch Symbolist isn’t a stranger to these pages but every so often a drawing or painting by Jan Toorop draws attention to itself. The Sphinx above is oft-reproduced but you don’t always see it in colour or at a size that does justice to its detail. De Staatskas (below) is a […]

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Mirko Racki’s Inferno

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Mirko Racki (1879–1982) was a Croatian painter whose early work fits the template of allegorical Symbolism even if he was never part of any Symbolist movement. Dante’s Divine Comedy was a favourite subject: these canvases are among the available examples which also include a series of etchings. The painting above showing Charon ferrying Dante and […]

Posted in {art}, {painting}, {religion}, {symbolists} | 3 comments »

 


Kupka in Cocorico

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As noted yesterday, Czech artist František Kupka produced a cover for French magazine Cocorico together with this handful of interior illustrations, all of which date from around 1900. Kupka was living in Paris at the time, and several of these drawings reflect his connections to the Symbolist movement. I’ve posted his Poe illustration before but everything […]

Posted in {art}, {magazines}, {symbolists} | 5 comments »

 


The art of Edmond van Offel, 1871–1959

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Edmond van Offel was a Belgian artist who Philippe Jullian features in two of his books about Symbolist art but whose work I’d not seen anywhere else—at least until now. All the pictures here are from a collection published in Paris in 1902 which may be the one Jullian used for his selections. The book […]

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