The monstrous tome

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So it arrived at last, yesterday in fact, the colossal volume that is A Lovecraft Retrospective: Artists Inspired by HP Lovecraft from Centipede Press. Calling this a book is like calling the Great Pyramid of Cheops a pile of stones, technically accurate but the words somewhat fail to convey the existential reality. This is the heaviest book I’ve ever come across, 400 pages of heavy-duty art paper at BIG size. (Amazon gives the dimensions as 16.1 x 12.6 x 2.3 inches or 409 x 320 x 580 mm.) The photo above shows the scale beside an old Mountains of Madness paperback (Ian Miller‘s cover art appears in full in the new book) and my own Haunter of the Dark collection. The cover art is by Michael Whelan, a detail from his wonderful 1981 HPL panoramas.

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The Virgil Finlay section showing The Colour Out of Space and his definitive Lovecraft portrait.

The range of contributors past and present includes JK Potter, HR Giger, Raymond Bayless, Ian Miller, Virgil Finlay, Lee Brown Coye, Hannes Bok, Rowena Morrill, Bob Eggleton, Allen Koszowski, Mike Mignola, Howard V. Brown, Michael Whelan, Tim White, Frank Frazetta, John Holmes, Harry O. Morris, Murray Tinkelman, Gabriel, Don Punchatz, Helmut Wenske, John Stewart, Thomas Ligotti and John Jude Palencar. The introduction is by Harlan Ellison and there’s an afterword by Thomas Ligotti. Many pages fold out to reveal spreads like the Giger ones below. Print quality is exceptional, of course, but then ladling the superlatives is pointless when it’s obvious this is a sui generis masterpiece of Lovecraftian art. Naturally I’m very happy indeed to be a part of it.

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Rabbit by Run Wrake

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Rabbit (2007), a short animated film by Run Wrake based on drawings by Enid Blyton illustrator Geoffrey Higham. “When a boy and girl find an idol in the stomach of a rabbit, great riches follow, but for how long?” Find out at AtomFilms. The director talks about his film here.

Previously on { feuilleton }
The Tell-Tale Heart from UPA
Harpya by Raoul Servais

Stamps of horror

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The Royal Mail continues to rifle popular culture for suitable anniversary subjects, this week following its series of James Bond postage stamps with stamp sets celebrating the 50th anniversaries of Hammer’s first run of horror films and the Carry On series. I don’t think I’d use the word “celebration” in the case of the latter, I seem to be in the minority in always having regarded the Carry On films with considerable loathing, despite the best efforts of Kenneth Williams (who hated them) and company; give me some wit, please, not the laboured double entrendres of Talbot Rothwell.

Grievances aside, it’s gratifying to see the original posters used for these stamp designs, the Dracula one is especially good, suitably so seeing as it’s the best film of the lot. “Politicians, ugly buildings, and whores all get respectable if they last long enough,” says Noah Cross in Chinatown; based on this evidence the same could also be said of cheap cinema.

Previously on { feuilleton }
Horror comics
Endangered insects postage stamps
James Bond postage stamps
Please Mr. Postman
Hail, horrors! hail, infernal world!

Horror comics

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More horror…. It’s been a while since I posted anything work-related here, not because I haven’t been busy but because much of the work this year is still waiting to see the light of day as a result of protracted schedules.

The Mammoth Book of Best Horror Comics is an anthology from Running Press (US) that really is mammoth—over 540 pages—and includes a reprinting of my Dunwich Horror pages from The Haunter of the Dark. You can see the selections in the Sprout widget below. (Not any more you can’t. Sprout decided to make everyone pay for their previously free service. Bye bye, Sprout.) It feels a bit fraudulent being in there since my drawings are more illustrations than a comics adaptation but I imagine most people buying the book will be happy to see poor old Wilbur Whateley’s demise receive another airing. Many of the featured strips are in the hokey EC mould which is often more comic than horror (one reason I was never very taken with EC) but the material gets better as it goes along and it’s a pleasure to be in anything with an artist as good as Mike Kaluta.

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The Dunwich Horror, title page (1988).

Elsewhere on { feuilleton }
The Lovecraft archive

The Tell-Tale Heart from UPA

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Among the legions of Poe adaptations for film and television, IMDB lists 21 versions of The Tell-Tale Heart. The UPA version from 1953 is a rare moment of seriousness from a company more well-known for its Mr Magoo and Gerald McBoing-Boing cartoons. This has long been one of my favourite Poe adaptations, not least for James Mason’s pitch-perfect narration. (A quote from this was later sampled by Scorn on the track Night Tide from their Evanescence album.) The animation avoids being too cartoony by adopting an allusive blend of Hollywood-style Surrealism and Expressionist design of the kind more usually seen in live action dream sequences of the period. Paul Julian was the designer, Pat Matthews the animator and Ted Parmelee the director.

Animator Michael Sporn has two pages of frame grabs, including some composites which show the full extent of scenes panned over during the film.

Previously on { feuilleton }
Harpya by Raoul Servais
William Heath Robinson’s illustrated Poe
The art of Harry Clarke, 1889–1931