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Group X, No. 1, Altarpiece (1915) by Hilma af Klint. “Like Kandinsky, and other pioneers of abstract art, af Klint was deeply immersed in theosophy and anthroposophy. But she seems to have taken that interest much further than her male counterparts, participating in (and later leading) séances with a group of women friends. Whatever the […]

Cover art for Six Correlations, a solo album by Emptyset’s James Ginzburg which is released later this month. Photo by Clayton Welham. • “Every single leather S&M club in London was raided by the police at least once, but they couldn’t get any convictions because juries wouldn’t convict us.” Ed Siddons on the death of […]

I’ve been hoping for years that a proper documentary about the enigmatic Argentinian artist might surface, and one is at last. Leonor Fini (1987) was directed by Chris Vermorcken, and as a portrait of an artist it’s almost as good as the films the BBC used to produce for the Arena arts strand. I say […]

Tokyo at night, one of a series of watercolours depicting the back streets of the city by Mateusz Urbanowicz. • “The experience of reading the book is something like watching Dr. Strangelove on one screen, Apocalypse Now on a second screen, and having both feeds interrupted by explicit gay erotica.” Bad Books For Bad People […]

Postcard collage by Alex Eckman-Lawn. • “He deserves to be a major figure not only in the history of Japanese music, but in popular music writ large.” Geeta Dayal on Haruomi Hosono, a musician whose solo albums from the 1970s are reissued this month by Light In The Attic. • Erica X Eisen reviews Black […]

• Julia Holter’s next album, Aviary, will arrive next month with a cover design bearing astrological symbols (a cryptic message?) and what looks like a grimoire page in the background, although I may be reading too much into this. Whatever the esoterics signify, the album is a double, and going by the sound of new […]

Straat met standbeeld (1934) by Carel Willink. • “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of—of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it’s always twilight, in Gorey’s stories), simply, inimitably Edwardian.” Mark […]

Black Sun (1953) by Alexander Calder. • “But Berlin Alexanderplatz transcends its genre elements, largely because of Döblin’s deep lack of hope about what can be expected of human beings.” Adam Kirsch on Alfred Döblin’s Berlin. • “I occasionally dream of finding books that do not seem to exist (yet), and sometimes remember their titles,” […]

The Miracle (Genet’s Dream) (2001) by Delmas Howe. • “Zachary Lipton, an assistant professor at the machine learning department at Carnegie Mellon University, watched with frustration as this story transformed from ‘interesting-ish research’ to ‘sensationalized crap’.” Oscar Schwartz on how the media gets AI alarmingly wrong. • The Aesthetics of Science Fiction: what does SF […]

Wu Ming, a communist writing collective known for its historical fiction, sees Kolosimo as using pseudohistory as a tool to shake people from their belief that capitalist society is natural and transhistorical, opening minds to other possibilities for how humans can live. They regret that popular proponents of his theories today, like Graham Hancock and […]

The Death of American Spirituality (1987) by David Wojnarowicz. • Dau: “Art imitating life on an unprecedented scale”. Siddhant Adlakha on a colossal Russian feature-film project that sounds like a real-life equivalent of Synecdoche, New York. Adlakha’s piece, which claims that Dau is finished, was written a year ago but there’s still no sign of […]

• I’ve wondered for years why there was such a difference in quality between Plight & Premonition (1988) and Flux + Mutability (1989), a pair of instrumental albums by David Sylvian and Holger Czukay. The former warrants repeated listening while the latter…doesn’t. David Sylvian‘s reminiscences about the recording sessions are enlightening. • “There’s something evil […]

The conceit of a “soundtrack for an imaginary film” dates back at least as far as Gandharva by Beaver & Krause, although only the second half of that album was the imaginary soundtrack, and a rather vague one at that. (A variation on the Gandharva suite did become genuine soundtrack music, however, when Robert Fuest […]

Cover art by Leo & Diane Dillon, 1975. Art is not supposed to be easier! There are a lot of things in life that are supposed to be easier. Ridding the world of heart attacks, making the roads smoother, making old people more comfortable in the winter, but not Art. Art should always be tough. Art should demand […]

Poster by Roman Cieslewicz for the 1963 Polish release of Vertigo. Via The Hitchcock Zone. • Alfred Hitchcock’s Vertigo is sixty years old this year. It’s a film I’ve always found to be preposterous and very over-rated, despite the considerable strengths of its cast, production, etc; consequently, any claims to its being an unalloyed masterpiece […]

As noted in the previous post, Jon Hassell has a new and very well-received album out this month, his first in several years. To honour the occasion I thought I’d finally post the Hassell mix I’ve had in mind for some time. The delay was mainly a consequence of not settling on a final version, […]

Cover art and design by Arien Vallzadeh, Dan Kuehn, Mati Klarwein & Taska Cleveland. • At Bandcamp: “Jon Hassell collages the past on his absorbing new record”. The new album, Listening to Pictures (Pentimento Volume One), was released last week, and it joins the rest of Hassell’s catalogue in sounding unlike any of his other […]

While illustrating Dracula earlier this year I was listening to Wojciech Kilar’s soundtrack to Francis Coppola’s Dracula to sustain the vampiric mood. I also watched Coppola’s film again, it’s an adaptation I enjoy a great deal despite its flaws. (This post detailed some of the plus points.) The South Bank Show‘s programme devoted to Dracula […]

The Creation of the Birds (1957) by Remedios Varo. • “I think my music is very modern and very old. Together.” Sandy Robertson interviewed Popol Vuh’s Florian Fricke for Sounds in 1981. The Fricke-directed Sei Still Wisse ICH BIN referred to in the feature may be viewed here. Further Vuh-ing: Popol Vuh on Beat Club, […]

Czech poster for Robert Bresson’s Une Femme Douce (1969) by Olga Polácková-Vyletalová. There’s more about Polácková-Vyletalová’s striking poster designs (and this one in particular) at Mubi. See also the Polácková-Vyletalová collection at Terry Posters. • “I heard that in Japan the tendency is to hammer down the nails that stick out. I think that Haruomi […]