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Art by Joe Mugnaini (1955). • Mixes of the week: The Ivy-Strangled Path Vol. XIX by David Colohan, and The Ephemeral Man’s Teapot 2—Atmosphere insomniac by The Ephemeral Man. • Patrick Clarke talks to Morton Subotnick and Lillevan about Subotnick’s pioneering synthesizer composition, Silver Apples Of The Moon (1967). • A second volume of London’s […]

Magma concert poster, 2017. Art by Jofre Conjota. • The Dream Foundry is a new venture with a mission “to bolster and sustain the nascent careers of professionals working in the field of speculative literature.” This includes artists as well as writers, and to this end I was asked to answer a few questions about […]

Alien Technology (2014) by Monira Al Qadiri. • “William S. Burroughs wrote, in a long, zigzag ode: ‘You can hear metal think in the electromagnetic fields of Takis sculpture.’” Geeta Dayal on the sound sculptures of the late Panayiotis Vassilakis (1925–2019), better known as Takis. • “Everything about this song is mysterious, from the creation […]

Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder. • I’ve grown increasingly tired of Kubrick-related micro-fetishism (despite contributing to it myself with previous posts) but this piece at Film and Furniture about the history of David Hicks’ Hexagon carpet design is a good one. • “In hindsight, we can see how rarely one […]

The Gourmet (1986), an original television drama written by Kazuo Ishiguro and directed by Michael Whyte, has long been in the top ten of TV films I was hoping would turn up on YouTube, and here it is at last. With a running time of under 50 minutes this is shorter than one-off dramas tend […]

Hades II (2004) by Ana Maria Pacheco. • I’ve been reading a lot of Angela Carter over the past few weeks so the news of her house in Clapham being awarded a blue plaque was coincidental but also timely. Related: Angela Carter Online, and The Holy Family Album (1991), “a sacrilegious take on the history […]

L’Hamestoque (1977) by Christine Gaussot. • Another announcement from Strange Attractor Press: Of Mud & Flame A Penda’s Fen Sourcebook edited by Matthew Harle and James Machin will be published at the end of October. Among the contents will be the screenplay of David Rudkin’s cult television play, an item that’s always been impossible to […]

Tadanori Yokoo (1974) by Tadanori Yokoo and Will van Sambeek. A poster from the Colourful Japan exhibition at the Stedelijk Museum, Amsterdam. • The first decade of space-rock pioneers Hawkwind is explored by Joe Banks in Hawkwind: Days of the Underground — Radical Escapism in the Age Of Paranoia, coming soon from Strange Attractor Press. […]

Cover art by Mike Hinge. • “[The Family] is an unforgettable fusion of journalism and poetic prose that still holds up precisely because it has no use for category, for genre, or for being anything other than its own unique, obsessive self.” Sarah Weinman on how Ed Sanders wrote the definitive account of the Manson […]

Poster by Tadanori Yokoo for The Trip (1967). • Post of the week is this long-overdue introduction by Warren Hatter to the French rock and electronic music of the 1970s and 80s, a variety of Continental culture which has never commanded the same level of interest in the Anglophone world as its German equivalent. The […]

Edge of Industry (2009) by Anne Starling. • “In her darkroom with her silver salts and gelatine plates, she experimented with the mercurial effects of light, time and temperature.” Hailey Maxwell on the photographic art of Dora Maar. • A Visionary Work Renew’d: A conversational review of Swan River Press edition of William Hope Hodgson’s […]

Ito Takashi’s early experimental films achieve their delirious effects with a minimum of means: flickering lights, projected images, and pixillation of the camera and the blurred figures that flit through the frame. Not all are on YouTube at the moment but Thunder (1982) and Ghost (1984) are exceptional works, both with electronic soundtracks by Yosuke […]

Man’s body dish for Sashimi under the cherry blossom (2005) by Ryoko Kimura. • Godley & Creme’s Consequences (1977) is reissued this month on CD and vinyl. Originally a three-disc concept album with a theme of climate disaster and the natural world’s revenge on humanity, Consequences was released at a time when punk and prog […]

Echoes And Reverberations, the latest themed collection of music presented by A Year In The Country, has a title that might refer to the Hauntological idiom in general. Not so much nostalgia, more the refashioning of memories, or imagined remembrances of the past, into something new. Echoes And Reverberations is a field recording-based mapping of […]

Femme avec des fleurs (c. 1912) by Romaine Brooks. • “Boring people tend not to exile themselves to rocky islands, but even among the intriguing personalities we encounter in Capri, some individuals prove more extravagantly memorable than others.” Steve Susoyev reviews Pagan Light: Dreams of Freedom and Beauty in Capri by Jamie James. • “The […]

In the week following the Moon-landing anniversary I’ve been re-reading The First Men in the Moon by HG Wells. This was a late entry in Wells’ extraordinary run of science fiction novels, and is both shorter and lighter in tone than his earlier novels, some of which veer at times into outright horror. The First […]

“Spectra of various light sources, solar, stellar, metallic, gaseous, electric”, print by René Henri Digeon; plate IV in Les phénomènes de la physique (1868). • More polari: Thom Cuell this time with another review of Fabulosa!: The Story of Polari by Paul Baker. Good as it is to see these articles, one thing they all share […]

Poster art by Hiroo Isono. • “[Divine] didn’t want to pass as a woman; he wanted to pass as a monster. He was thought up to scare hippies. And that’s what he wanted to do. He wanted to be Godzilla. Well, he wanted to be Elizabeth Taylor and Godzilla put together.” I can’t help linking […]

Pink Floyd, Lee Michaels, Clear Light (1967) by Bonnie MacLean. • Electronic musician Mort Garson has been subject to a revival of interest recently, with reissues of his works as Ataraxia (The Unexplained), and Lucifer (Black Mass). The latest reissue is Mother Earth’s Plantasia (1976), an album released under Garson’s own name, and one of […]

Fracture (1977) is a short animated film from France by the Brizzi Brothers (Paul and Gaëtan), a duo better known for their work on feature-length animated films such as Asterix versus Caesar (1985), and a number of films for Disney. Fracture is their earliest work, and isn’t remotely Disney-like, delivering an SF/fantasy scenario of alien […]