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Figuras Miticas: Bailarin II (1954) by Leonora Carrington. • The 26th Annual Lambda Literary Award Finalists have been announced. Ghosts in Gaslight, Monsters in Steam; Gay City: Volume 5 made the LGBT Anthology list, so congratulations to editors Evan J. Peterson & Vincent Kovar, and everyone else involved. I illustrated and designed the cover of that volume […]

I was hoping this might turn up on YouTube eventually, my copy being stuck on a VHS tape. Clocks of the Midnight Hours (1986) is a 25-minute film about the music of Max Eastley directed by Simon Reynell. The title is taken from a Borges poem. What makes Eastley’s music special is that all his […]

It wasn’t so very long ago that occult artist Marjorie Cameron (1922–1995) was visible only as a silent and enigmatic presence in films by Kenneth Anger and Curtis Harrington. Previous posts here have catalogued the resurrection of interest in her life and work which now includes a book of poems by husband Jack Parsons, embellished […]

When statues die they enter into art. This is a Resnais short I hadn’t seen before, and a proper collaboration this time between Resnais and Chris Marker. Les statues meurent aussi (Statues Also Die) was commissioned in 1950 by Présence Africaine, a pan-African magazine published in Paris. The film was released in 1953. The subject […]

Before he directed his first feature, Hiroshima Mon Amour (1959), Alain Resnais had distinguished himself with a succession of short documentary films. His half-hour history of the Holocaust, Nuit et brouillard (1955), has always been the most prominent of these, although as a history it’s since been superseded by Claude Lanzmann’s exhaustive Shoah (1985). Toute […]

Last Year in Marienbad (1961). Via. In our age of cultural plenitude it can be salutary to remember the time when many things were easy to discover but often impossible to experience; albums, books, and especially non-American films could all-too-frequently exist as rumours, referenced but always out of reach. Two films in particular dogged me […]

An illustration by John Kettelwell for The Story of Aladdin and the Wonderful Lamp (1928). • “The strain in everything I write, of not being taken with the bounteousness of humankind, was also the attitude of both my parents.” Jonathan Meades talking to James Kidd about his forthcoming memoirs. • 7 Trumps From the Tarot Cards […]

Untitled etching by Etsuko Fukaya, 2005. • “By the time Scorsese met Powell, in 1975, the British director had fallen on hard times and was largely ignored by the UK film establishment.” A London office used by Michael Powell and Emeric Pressburger is given the Blue Plaque treatment. • Ambient reminiscences at The Quietus: Wyndham […]

Sebastiane (1983) by Sex Gang Children. A 12″ single using a still from Jarman’s film. A final post for this Jarman week. Derek Jarman sustained his film career with regular music promo commissions (see this earlier post) but he never produced any album covers as such. What you have here are music releases which happen […]

I think of the area of magic as a metaphor for the homosexual situation. You know, magic which is banned and dangerous, difficult and mysterious. I can see that use of magic in the Cocteau films, in Kenneth Anger and very much in Eisenstein. Maybe it is an uncomfortable, banned area which is disruptive, and […]

One of Derek Jarman’s many unfilmed projects was PPP in the Garden of Earthly Delights, a study of the last days in the life of director Pier Paolo Pasolini seen through a prism of references to the director’s cinematic work, and also the paintings of Hieronymus Bosch. Jarman’s proposal exists as a synopsis rather than […]

Derek Jarman died 20 years ago today. I was keeping a sketchbook at the time, something I’ve seldom bothered with before or since, and this was my reaction to the news a couple of days later, possibly drawn whilst watching one the TV documentaries which were being screened at the time. Some current news items: […]

This is a 35-minute anthology film from 1986 with a very painterly, poetic (for want of a better term) quality of a kind I’ve not seen for some time in queer cinema. The reasons for this can be debated at greater length than I care to attempt, but it’s notable that a feature of the […]

Follow the Leader (London, 2011) by Isaac Cordal. • “Brutalism is the decor of dystopian films, literature and comics, just as gothic is for horror.” Jonathan Meades‘ A-Z of brutalism. • Vitaly Shevchenko on the urban explorers of the ex-USSR. Related: Photos by Vitaliy Raskalov from the top of the Shanghai Tower. • Joe Banks […]

School Daze sleeve designed by Eloise Leigh. Music made for porn films is nothing if not derivative and unmemorable, if it’s been specially made at all and isn’t merely a cheap library track, the aural equivalent of stock footage. This wasn’t necessarily the case when porn cinema was getting started in the America of the […]

Bum (1966) by Pauline Boty. • Eleanor Birne on Pauline Boty, “the only prominent female Pop artist among a generation of famous men”. Ken Russell’s Pop Art documentary, Pop Goes the Easel (1962), which features Boty, may be seen here. Two years later Boty was back with Ken Russell playing the part of the prostitute […]

A final film for this week of Burroughs-related posts. Thot-Fal’N (1978) is a typical piece of Stan Brakhage montage: 9 minutes of completely silent close-ups, shots blurred to incoherence, and occasional clips of American streets or people. Among the identifiable humans there’s a brief sequence with William Burroughs and a balloon, and also shots of […]

Vimeo swarms with Burroughs-related films, many of which might not have been made had it not been for the profusion of recordings of the author reading his work. This short from 2010 is one of the better examples, a combination of live-action film and animation by Greig Johnson that crams a considerable amount of invention […]

Gerrit van Dijk’s combination of live-action sequences and rotoscoped animation is tangentially related to William Burroughs, it being Burroughs who popularised the deathbed ramblings of New York gangster Arthur “Dutch Schulz” Flegenheimer with a “fiction in the form of a film script” also entitled The Last Words of Dutch Schultz (1970). Flegenheimer was gunned down […]

Andre Perkowski’s Nova Express describes itself as “a 3-hour experimental epic adaptation of the novel by William S. Burroughs… with Allen Ginsberg, Brion Gysin, Phil Proctor, Peter Bergman, Jürgen Ploog, and Anne Waldeman”. The technique is relatively simple, if laborious: a large quantity of copyright-free film & TV footage, animation and visual material is matched […]