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• Yet more Gorey: Mark Dery’s biography of the artist prompted The New Yorker to unearth a piece of cover art that Edward Gorey submitted 25 years ago. In the same magazine Joan Acocella reviews Dery’s book and examines Gorey’s life and art. At Expanding Mind, Erik Davis talks with Mark Dery about Surrealism, the […]

The Quay Brothers’ first animated film, Nocturna Artificialia, was released in 1979. Prior to this there had been some short experiments but since these are always described as “lost” it’s doubtful that we’ll ever see them. The artistic success of Nocturna Artificialia prompted the Quays and producer-colleague Keith Griffiths to consider fresh outlets for their […]

Orgasm Addict (1977). Design by Malcolm Garrett; collage by Linder. • RIP Pete Shelley, Buzzcock and Homosapien. Shelley is celebrated for being in the vanguard of Britain’s punk movement, of course. (Buzzcocks’ Spiral Scratch was the UK’s first independent single.) But he also loved Can, recorded an album of electronic drones (Sky Yen), and in […]

Red Parrot on the Branch of a Tree (c.1771) by Ito Jakuchu. • Reporter John Stapleton (later a fixture of BBC TV) visits the Portobello Road offices of British underground newspaper Frendz for newsreel service British Pathé. The date says 1969 but it’s probably 1971 since earlier that year the magazine had changed its name […]

The title of that film was originally different [Illusions]… I woke up one day and thought of Bad Timing which sounds exactly like the right title—for my career. Now there was a film I really thought was one to which there would be a different response. Whilst filming I felt sure that this was one […]

Cammell & Roeg’s Performance (1970) was marketed in Italy with all the restraint for which the Italian film industry has long been celebrated. • “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” We Women Have no Fatherland (1899), a novel by Ilse […]

Cover design by Jim Tierney; photo by Richard Corman. When so many current biographies are recounting the lives of those about whom we’ve already heard a great deal (see the new biography of Oscar Wilde by Matthew Sturgis), a book exploring the career of a previously undocumented yet worthwhile figure is especially welcome. Such is […]

Seishu Hanaoka’s Wife (1970) by Awazu Kiyoshi. • Hoodoo, Conjuration, Witchcraft & Rootwork: a colossal new addition to the Internet Archive, being a 5-volume, 4766-page collection of folkloric material gathered by Harry Middleton Hyatt in Alabama, Arkansas, Florida, Georgia, Illinois, Louisiana, Maryland, Mississippi, North Carolina, South Carolina, Tennessee, and Virginia between 1936 and 1940. • […]

The latest release from A Year In The Country is the first to arrive as a manufactured compact disc rather than a hand-made artefact. Following the example set by The Shildam House Tapes, The Corn Mother is another soundtrack for a lost film (or a reflection of the same), suggesting that this is now an […]

Rawmarsh Road, Rotherham, 1975 by Peter Watson. • Steel Cathedrals (1985), a composition by David Sylvian (with Ryuichi Sakamoto, Kenny Wheeler, Robert Fripp & others) was originally available only on the cassette release of Sylvian’s Alchemy: An Index Of Possibilities, and a video cassette where the music accompanied views of Japanese industry by Yasuyuki Yamaguchi. […]

Cover for the now-defunct Cthulhu Sex magazine, volume 2, no. 23. Art by Chad Savage. • Revising Lovecraft: The Mutant Mythos by Paul StJohn Mackintosh. Mackintosh was interviewed at Greydogtales in 2016 where he made a point that certainly chimes with my experience: “…the English-speaking genre community seems to have far more trouble with certain […]

Group X, No. 1, Altarpiece (1915) by Hilma af Klint. “Like Kandinsky, and other pioneers of abstract art, af Klint was deeply immersed in theosophy and anthroposophy. But she seems to have taken that interest much further than her male counterparts, participating in (and later leading) séances with a group of women friends. Whatever the […]

Cover art for Six Correlations, a solo album by Emptyset’s James Ginzburg which is released later this month. Photo by Clayton Welham. • “Every single leather S&M club in London was raided by the police at least once, but they couldn’t get any convictions because juries wouldn’t convict us.” Ed Siddons on the death of […]

I’ve been hoping for years that a proper documentary about the enigmatic Argentinian artist might surface, and one is at last. Leonor Fini (1987) was directed by Chris Vermorcken, and as a portrait of an artist it’s almost as good as the films the BBC used to produce for the Arena arts strand. I say […]

Tokyo at night, one of a series of watercolours depicting the back streets of the city by Mateusz Urbanowicz. • “The experience of reading the book is something like watching Dr. Strangelove on one screen, Apocalypse Now on a second screen, and having both feeds interrupted by explicit gay erotica.” Bad Books For Bad People […]

Postcard collage by Alex Eckman-Lawn. • “He deserves to be a major figure not only in the history of Japanese music, but in popular music writ large.” Geeta Dayal on Haruomi Hosono, a musician whose solo albums from the 1970s are reissued this month by Light In The Attic. • Erica X Eisen reviews Black […]

• Julia Holter’s next album, Aviary, will arrive next month with a cover design bearing astrological symbols (a cryptic message?) and what looks like a grimoire page in the background, although I may be reading too much into this. Whatever the esoterics signify, the album is a double, and going by the sound of new […]

Straat met standbeeld (1934) by Carel Willink. • “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of—of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it’s always twilight, in Gorey’s stories), simply, inimitably Edwardian.” Mark […]

Black Sun (1953) by Alexander Calder. • “But Berlin Alexanderplatz transcends its genre elements, largely because of Döblin’s deep lack of hope about what can be expected of human beings.” Adam Kirsch on Alfred Döblin’s Berlin. • “I occasionally dream of finding books that do not seem to exist (yet), and sometimes remember their titles,” […]

The Miracle (Genet’s Dream) (2001) by Delmas Howe. • “Zachary Lipton, an assistant professor at the machine learning department at Carnegie Mellon University, watched with frustration as this story transformed from ‘interesting-ish research’ to ‘sensationalized crap’.” Oscar Schwartz on how the media gets AI alarmingly wrong. • The Aesthetics of Science Fiction: what does SF […]