Moon and Serpent Rising

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Top Shelf announced this one on Friday so I can break my silence about the book I’ve been working on since May 2021. The Moon and Serpent Bumper Book of Magic by Alan Moore and Steve Moore was first announced in February 2007. I’d created the cover design which was used for promotional purposes after which the project went into hibernation for several years. In 2014 Alan and Steve were back at work again, and were co-writing the final essay when Steve died suddenly in March of that year, whereupon the book retreated to limbo once more. Since 2007 my cover has been floating around the internet like the lid for an empty toybox, but the book really is finished at last, and will be published by Knockabout (UK) and Top Shelf (US) in October.

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In addition to the cover design I was also slated to be working on two of the book’s internal features: The Soul, a six-part illustrated serial set in the 1920s which evolved out of the occult-detective strip that Alan and I were planning circa 1999; also a series of twenty full-page illustrations for a feature titled Magical Landscapes. When Tony at Knockabout informed me at the beginning of 2021 that the book was being revived I made the audacious suggestion to him and to Alan that I could, if need be, design the whole thing as well as illustrate my own sections. Alan readily agreed, saying he trusted me implicitly, which was good to hear; his sole brief was that the book should be “beautiful and psychedelic”. One reason for his trust is that we’d already made excursions into the Moon & Serpent zone together. I designed three of the Moon & Serpent CDs in the 2000s, and made the video that accompanied the William Blake-themed reading/performance by Alan and co. at the Purcell Room, London, in 2001. Consequently, I’ve often felt like a floating member of the Moon & Serpent cabal.

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A couple of things are worth noting now that the book is about to enter the world. The first is that the contents are a little different to the press release from 2007 which announced a book of 320 pages, with 78 of those pages being brand new Tarot card designs. The authors subsequently realised that creating an entirely new Tarot deck is a huge task in itself, especially if, as was the intention, you wanted it to be as wide-ranging and authoritative as the Crowley/Harris Thoth deck. There is a chapter about the Tarot in the finished book but readers will now have to choose decks of their own. I can imagine disappointment being expressed about this, and about some of the other changes but the book as it now stands is actually bigger than the original proposal, with an additional 32 extra pages. The expansion is partly a result of my page design which put fancy borders on all of the text pages. I ended up doing a lot more work for the book than I expected, adding new pages here and there, creating a lot of extra graphics and illustrations, and breaking up the long final essay into sections which are illustrated throughout with small pictures.

Continue reading “Moon and Serpent Rising”

Weekend links 713

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Black Cat (1910) by Shunso Hishida.

• “A duck goes quack quack in English but coin coin in French. In Spanish a dog goes guau-guau, not woof woof, while in Arabic it goes haw haw, and in Mandarin wang-wang. In Japanese cats go nyaa, and bees—having no access to the zz sound—go boon-boon.” Caspar Henderson asks “Could onomatopoeia be the origin of language?”

• Coming soon from MIT Press: Blotter: The Untold Story of an Acid Medium by Erik Davis; “the first comprehensive written account of the history, art, and design of LSD blotter paper, the iconic drug delivery device that will perhaps forever be linked to underground psychedelic culture and contemporary street art.”

• At Aquarium Drunkard: The late Damo Suzuki is remembered with a recording of Can playing at the Volkshalle Wagtzenborn-Steinberg, Giessen, October 22, 1971.

• At Unquiet Things: Another collection of Intermittent Eyeball Fodder. I was sorry to hear from that post that artist Dan Hillier had died recently. RIP.

• At Bandcamp Daily: Mouse On Mars discuss 30 years of dynamic electronic music.

• Old music: Rare Soundtracks & Lost Tapes (1973–1984) by Alain Goraguer.

• At Spoon & Tamago: The imaginary architectures of Minoru Nomata.

• Mix of the week: DreamScenes – February 2024 at Ambientblog.

• At Vinyl Factory: Julia Holter on some of her favourite records.

• At Public Domain Review: Wanda Gág’s Millions of Cats (1928).

• Steven Heller’s Font of the Month is Cuatro.

A brief history of London’s gas lamps.

• New music: Pithovirii by Aidan Baker.

Black Cat Bone (2000) by Laika | Black Cat (2005) by Broadcast | Black Cat (2008) by Ladytron

Herald of Ruin

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New year, new book cover. Herald of Ruin is my latest for Aconyte, a sequel to Tim Pratt’s The Ravening Deep, which featured my last cover in this series of novels spun from the Arkham Horror games:

Chaos is coming to Arkham, and its herald is Randall Tillinghast. The dapper older gentleman has recently arrived in the city and his establishment of a new occult bookshop draws the ire of Carl Sanford, the head of Arkham’s secret, esoteric order, the Silver Twilight Lodge.

Sanford expects to crush the newcomer like an ant and take what he wants from the wreckage… but Randall Tillinghast isn’t quite as humble and harmless as he seems. In possession of an array of magical artifacts, Tillinghast begins to consolidate his dreams of power before turning his sights on the Lodge.

All six covers to date have followed a similar style, combining Art Deco graphics with various kinds of Lovecraftian weirdness, views of significant architecture and pictures of the main characters. With the new book being a sequel the cover was designed as an inverse companion to The Ravening Deep. The general structure is the same but with earth tones replacing the aquarian colours, and with the character shots and interlaced septagram flipped around.

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That towering edifice in the background is supposed to be the city of Sarnath which I spent some time drawing even though I knew most of it was going to be covered over. The way I work I often have to do this since I like to create all the different elements with only a vague composition in mind, after which I can shuffle things around until they assume a satisfying appearance. I also like to keep my options open in the early stages. This is something you can do more easily in Illustrator than in Photoshop, the Illustrator interface being an artboard upon which you assemble the various components of your design. Vector graphics aren’t always ideal when you’re trying to create something this complex, but the hard edges suit the Deco style and the general appearance which is more of a poster design than a picture window.

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Among the other details, the eye-in-a-triangle, a device I’ve used a lot in the past, was prompted by the source material for a change. And the woman’s face is based on a photo of Musidora, one of the stars of early silent cinema in her role as Irma Vep from Feuillade’s Les Vampires (1915–16). The visual source for this character wasn’t very informative but she’s a cat burglar, and Feulliade’s serial happens to concern a group of Parisian cat burglars. I think Irma Vep may have been the first cat-burgling woman in cinema history so Musidora was a good choice with the right look for the cover.

Herald of Ruin will be published in July.

Elsewhere on { feuilleton }
The Lovecraft archive

Previously on { feuilleton }
The Ravening Deep
Diamonds
The Devourer Below
Litany of Dreams
The Last Ritual

Weekend links 709

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Guardian Angels (1946) by Dorothea Tanning.

• “If photographs can outlive their subjects, and memory works like photography, do images somehow endure in the brain after death? Could these undead memories be recovered with the right technologies?” Speculative fiction from 1899 in Dr Berkeley’s Discovery by Richard Slee and Cornelia Atwood Pratt.

• Mix of the week: Astral Loitering: Excursions In New Age, 1970–1989: 210 minutes of well-chosen selections that continue where I Am The Center left off. In a similar zone, albeit more recent, there’s the regular monthly report from Ambientblog, DreamScenes—January 2024.

• At American Scientist: The Source of Europe’s Mild Climate: “The notion that the Gulf Stream is responsible for keeping Europe anomalously warm turns out to be a myth”. An article from 2006 that you’d think would be more widely known today.

The Anomalist: “World News on UFOs, Bigfoot, the Paranormal, and Other Mysteries at the Edge of Science”. Too many of the links lead to worthless tabloid filler but the headlines can be fun.

• Coming soon from Strange Attractor: Two-Headed Doctor: Listening for Ghosts in Dr John’s Gris-Gris, a book by David Toop which analyses the Doctor’s voodoo-themed debut album.

• At Unquiet Things: Beyond The Shadows Of The Labyrinth: Exploring the Groovy Kaleidoscope of Ted CoConis’ Art.

• DJ Food unearths a batch of Portuguese Hauntology via Prisma Sonora Records.

• At Dennis Cooper’s: John Waters Day (restored/expanded).

• New music: Moon by Retep Folo & Dorothy Moskowitz.

New Age (live) (1969) by The Velvet Underground | New Age (1980) by Chrome | 1966 – Let The New Age Of Enlightenment Begin (2014) by Sinoia Caves

Weekend links 707

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Dragon and Tiger—Designs for Lacquer Inro (no date) by Mori Genkosai.

• “But where have all those copies of Corridor of Mirrors gone? Sometimes I entertain the thought that an obsessive collector has amassed them in his library lined with looking-glasses, so that nobody else can possess the book but he, and he can see them all, multiplied to infinity, as he stalks up and down in his scarlet smoking hat and velvet coat, and gloats.” Mark Valentine on the mysterious unavailability of Corridor of Mirrors (1941), a novel by Chris Massie. The film adaptation made a few years later is one I’ve managed to miss, despite its starring Eric Portman and featuring the first screen appearance of Christopher Lee. Future viewing, I think.

• “The intrepid logician Kurt Gödel believed in the afterlife. In four heartfelt letters to his mother he explained why.” Alexander T Englert explains Gödel’s explanations.

• At Open Culture: Hortus Eystettensis (1613), “the beautifully illustrated book of plants that changed botanical art overnight”.

• Mix of the week: Aquarium Drunkard presents The Secret Hemisphere: New Age, Fusion and Fourth World, 1970–2002.

• New music: Phases Of This And Other Moons by Field Lines Cartographer.

• Why Graphic Culture Matters is a new book of essays by Rick Poynor.

• At Spoon & Tamago: Japanese Designer New Year’s Cards of 2024.

• Steven Heller’s font of the month is Chutz.

• At Dennis Cooper’s it’s Barbara Steele Day.

The Hall Of Mirrors In The Palace At Versailles (1970) by John Cale & Terry Riley | The Hall Of Mirrors (1977) by Kraftwerk | The Room Of Mirrors (2000) by Harold Budd