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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Weekend links 348

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The Masque of the Red Death (1932) by John Buckland Wright.

• Thanks to MeadesShrine I’ve been working my way through Jonathan Meades’ television essays so this is timely: The Plagiarist in the Kitchen, an “anti-cookbook” by the man with forthright opinions.

• “‘Decopunk’ deserves to be bigger than Steampunk,” says Sam Reader. I consider my work on Bruce Sterling’s Pirate Utopia to be more Futurist than Deco but the period is right.

• “Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!”: 366 Weird Movies

But Fascism is also a political and economic system. Why, then, cannot we have a clear and generally accepted definition of it? Alas! we shall not get one—not yet, anyway. To say why would take too long, but basically it is because it is impossible to define Fascism satisfactorily without making admissions which neither the Fascists themselves, nor the Conservatives, nor Socialists of any colour, are willing to make. All one can do for the moment is to use the word with a certain amount of circumspection and not, as is usually done, degrade it to the level of a swearword.

George Orwell discussing the imprecise application of the “F” word

• At The Psychedelic Museum, a report on this month’s art show, Alice’s Adventures in Underground Culture.

M. John Harrison announces a new story collection which will be published later this year by Comma Press.

• Mixes of the week: Iceland: Foreboding Joy by Abigail Ward, and Secret Thirteen Mix 211 by Fluxion.

Daisy Woodward on how LSD adventures inspired John Waters’ Multiple Maniacs.

• More Moomins: Graeme Miller talks to Patrick Clarke about his soundtrack music.

• Some recent cultural highlights as chosen by Timothy J. Jarvis.

Benge presents a list of his favourite electronic albums.

Is this the underground Everest?

Strange Things Are Happening (1968) by Rings & Things | Strange Magic (1975) by Electric Light Orchestra | Strange (1977) by Wire |

 


L’outrageant Lord Horror

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Cover art by Enki Bilal.

Arriving in the post this week was the catalogue for the Shoah et bande dessinée exhibition which is currently running in Paris at Mémorial de la Shoah. I’ve mentioned previously that the exhibition includes some of my pages from my first collaboration with David Britton/Savoy, the death-camp issue of the first Lord Horror series, Hard Core Horror, but until the catalogue arrived I wasn’t sure how that work would be presented. Consequently, I’m surprised to find the comic and Britton’s wider Lord Horror project given a section of its own in the catalogue, with a lengthy appraisal by British comics historian Paul Gravett. The text is French throughout so I can’t follow Gravett’s piece very well but it looks to be an expansion of earlier pieces he’s written about the Savoy comics and their troubled history.

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The book itself is a solid production that I’m pleased to find following the hardback “album” format used by Continental comics. Denoël Graphic, a publisher of bandes dessinées, is the publisher. Among the other artists represented are Will Eisner and Art Spiegelman (of course), plus many French artists whose work I hadn’t seen before. The exhibition runs throughout the year to 30th October, 2017.

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Previously on { feuilleton }
Exhibitionism

 


Weekend links 347

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Dream Animal (1903) by Alfred Kubin.

• The week in Finland: A set of Finnish emojis includes icons for notable cultural exports such as Tom of Finland and Moominmamma. Tove Jansson’s creations have received fresh attention this month with the debut release of the electronic soundtrack music for The Moomins, an animated TV series made in Poland in 1977, and first broadcast in the UK in 1983. Andrew Male talked to Graeme Miller and Steve Shill about creating Moomins music with rudimentary instrumentation.

• Russian company Mosfilm has made a new copy of Andrei Tarkovsky’s science-fiction masterpiece, Stalker (1979), available on their YouTube channel. Tarkovsky’s films have been blighted by inexplicable flaws in their home releases, as Stalker was when reissued on a Region B Blu-ray last year. The new Mosfilm upload looks better than my old DVD so for the moment this is the one I’ll be watching.

• Before straight and gay: the discreet, disorienting passions of the Victorian era. Deborah Cohen reviews A Very Queer Family Indeed by Simon Goldhill. Related: Kevin Killian reviews Murder in the Closet: Essays in Queer Clues in Crime Fiction Before Stonewall, edited by Curtis Evans.

• “How many graphic designers owe their introduction to typography to a teenage encounter with the typefaces and lettering found on album covers?” asks Adrian Shaughnessy.

• Mixes of the week: Secret Thirteen Mix 210 by Ascion, FACT Mix 587 by Seekersinternational, and The Séance, 4th February 2017.

Pankaj Mishra on Václav Havel’s lessons on how to create a “parallel polis”. Related: The Power of the Powerless by Václav Havel.

Hans Corneel de Roos on Dracula‘s lost Icelandic sister text: How a supposed translation proved to be much more.

• “I live outside the world in a universe I myself have created, like a madman or a holy visionary.” — Michel de Ghelderode.

• The Metropolitan Museum of Art makes 375,000 images of public art freely available under Creative Commons Zero.

Richard H. Kirk on Thatcherite pop and why Cabaret Voltaire were like The Velvet Underground.

Emily Gosling on what David Lynch’s use of typography reveals (or doesn’t).

White Noise Sounds of Frozen Arctic Ocean with Polar Icebreaker Idling.

John Gray on what cats can teach us about how to live.

• At Dennis Cooper’s: Day of the Mellotron (Restored).

The Warburg Institute Iconographic Database.

Sastanàqqàm by Tinariwen.

Tanz Der Vampire (1969) by The Vampires of Dartmoore | Dracula (1983) by Dilemma | Vampires At Large (2012) by John Zorn

 


Science Fiction Monthly

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Art by Chris Foss.

Recent uploads at the Internet Archive include an incomplete run of British magazine Science Fiction Monthly, a large-format collection of SF art and original fiction that ran for 28 issues from 1974 to 1976. Science Fiction Monthly was significant for my generation since it was the only regular British SF magazine available in the mid-70s. (Michael Moorcock and co. were still producing issues of New Worlds but the only ones I saw were the quarterly paperbacks). Science Fiction Monthly was published by New English Library which made it seem at first glance like a promotional tool for the publisher, even more so when most of the cover art and almost all the ads were for NEL titles. The early issues lean heavily on NEL content but later issues had a broader reach and contained all the features you’d expect from an SF magazine of the period: news columns, film reviews, interviews, a bad comic strip, and so on. The best thing for me at the time was the reproduction of book cover art at a large size, with full-colour paintings filling the broadsheet pages or spreads, all printed with the intention of being removed and fixed to bedroom walls. The early issues were also unique in giving regular attention to the artists, running interviews and even showing photographs of the people responsible for all of that familiar paperback art. I didn’t see all of the early issues but the interviews were later collected in book form by NEL in Visions of the Future (Janet Sacks ed., 1976), a volume that was significant for me in showing SF and fantasy illustration as being a viable career rather than the product of remote and mysterious talents.

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Artist Bruce Pennington (see this post).

A few page samples follow. It’s a shame the collection at the Internet Archive is incomplete since the magazine’s contents were interesting to the end. The only copy I own today is the one for October 1975 (not currently available online) which is almost a JG Ballard special, with a feature on the writer, an interview about his new novel, High-Rise, and an original piece of fiction.

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Art by Bruce Pennington.

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Art by David Pelham.

Read the rest of this entry »

 


Weekend links 346

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Red Queen (no date) by Jo Brocklehurst.

• Happy birthday to Kenneth Anger, 90 years old this week. In 2008 Anger was interviewed by Nicolas Winding Refn at the National Gallery of Denmark, Copenhagen.

• “Fabeness be to the Auntie, and to the Homie Chavvie, and to the Fantabulosa Fairy”. “Church ‘regret’ as trainees hold service in gay slang.”

Andrew Male on Michael Chapman, an exceptional guitarist, and “the man who connects Elton, Bowie, Nick Drake and Sonic Youth”.

• A trailer for A Life In Waves a documentary about synth composer Suzanne Ciani by Brett Whitcomb and Bradford Thomason.

• The website for design company Barnbrook has been relaunched, as has the site for Jonathan Barnbrook‘s personal work.

• Mixes of the week: Secret Thirteen Mix 209 by Umwelt, and XLR8R Podcast 475 by Melina Serser.

Ryan Gilbey: “From Sean Connery to Harrison Ford: actors who secretly played roles gay.”

• Writer and editor Russ Kick is selling his huge book collection.

Lucifer Sam (1967) by Pink Floyd | Lucifer (1968) by The Salt | Lucifer Rising (2002) by John Zorn

 


 


 

Signed & numbered prints

    Blotter Art prints

 


 

Coulthart Books

    The Haunter of the Dark
    Reverbstorm

 


 

Previously on { feuilleton }

    dupond.jpg   cornell.jpg

 


 

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