René Gockinga revisited

Presenting another guest post by Sander Bink concerning drawings by Dutch artists from the early decades of the 20th century, several of which show a distinct Beardsley influence. There’s also more than a little Harry Clarke in some of the details, especially the large Salomé picture below. Sander examines the provenance. * * * In … Continue reading “René Gockinga revisited”

Gockinga’s Bacchanal and an unknown portrait of Fritz Klein

Bacchanal by René Gockinga. A guest post today by Sander Bink who generously translated his latest piece of research into the Dutch artists of the early 20th century who took the Beardsley style as a foundation for their own black-and-white delineations. As with this earlier post on the subject, many of these drawings are very … Continue reading “Gockinga’s Bacchanal and an unknown portrait of Fritz Klein”

The art of Henk Bremmer, 1871–1956

Landscape with Mill (1894; Museum De Lakenhal, Leiden). This week’s post is another by Sander Bink about a Dutch artist whose work may be unfamiliar to those outside the Netherlands. As before, Henk Bremmer was an artist whose work I hadn’t seen until now. My thanks again to Sander for the post. * * * … Continue reading “The art of Henk Bremmer, 1871–1956”

The art of Jacob Bendien, 1890–1933

Corner of a Canal (1919–20). This week’s post is another by Sander Bink about a Dutch artist whose work may be unfamiliar to those outside the Netherlands. Jacob Bendien was certainly new to me. My thanks again to Sander for the post. * * * Jacob Bendien, born in Amsterdam in 1890, was one of the … Continue reading “The art of Jacob Bendien, 1890–1933”

The art of Henricus Jansen, 1867–1921

This week’s post is another by Sander Bink about a neglected artist of the Dutch fin de siècle. Once again, this is an artist whose work was new to me. The Mucha-like style of the later pictures (and the one above from the same series) are especially good. My thanks again to Sander for the … Continue reading “The art of Henricus Jansen, 1867–1921”