Toshiaki Kato isn’t the first contemporary Japanese artist to work variations on Aubrey Beardley’s style but he’s one I’d not come across before. Kato’s cover illustrations run a gamut of familiar styles, not only Beardsley but Harry Clarke, Gustav Klimt, Tamara Lempicka, Maxfield Parrish and no doubt a few more I haven’t recognised. Beardsley’s influence is something I like to follow so it’s the black-and-white work you see here. It’s particularly fascinating seeing Japanese artists playing with Beardsley motifs when so much of Beardsley’s early style was derived from Japanese prints; a rare example of cultural influence finding its way back home after a century or more.
There’s surprisingly little information about Toshiaki Kato on Anglophone websites but scans of his gorgeous paintings proliferate. This page is a good place to start but there’s plenty more at Pinterest and elsewhere.
Elsewhere on { feuilleton }
• The illustrators archive
As Beardsley pastiche goes, that’s some of the best I’ve seen.
He brings some rare creation that I never seen before. It is too much unique and worthwhile work at all. I saw some work in color obviously more attractive in my eyes.