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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Raising the roof

ramases1.jpg

Roger Dean’s album cover art extends further than his sleeve illustrations for Yes. His earlier designs for the Vertigo label showed his visual invention to good effect, and a couple of those designs have had their imitators. The cover art for Dedicated To You, But You Weren’t Listening by the Keith Tippett Group is one that I’ve seen copied although I forget where for the moment so you’ll have to take this on trust. (Ahem.)

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The church steeple blasting off from Space Hymns (1971) by Ramases is borrowed somewhat crudely in a 2011 ad for the Wien Museum which shows Vienna’s St Stephen’s cathedral undergoing a similar transformation. The Ramases idea is so eye-catching I’m surprised I’ve not seen it imitated before, although it wasn’t Dean’s invention; in his Views book he says that it was the group’s idea, and they gave him a thorough brief. I presume by this he means that they also wanted the spire as a cover detail, and looking sufficiently rocket-like to give a surprise when the sleeve is opened.

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“Ramases” was Martin Raphael Barrington Frost, an Egypt-obsessed British musician who recorded two albums and a single with wife, “Selket”. The single B-side, Mind’s Eye (1968), is a decent piece of psychedelia that turns up on compilations. The same can’t be said for Space Hymns, unfortunately; the presence of 10cc as backing band isn’t enough to rescue songs whose cosmic titles offer more than they deliver. But that’s still a great sleeve. Thanks to @weird_prophet for the Wien tip!

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
Roger Dean: artist and designer

 


 

Posted in {architecture}, {design}, {music}, {psychedelia}, {science fiction}.

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3 comments or trackbacks

  1. #1 posted by B Smith

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    Dreadful typography, though.

  2. #2 posted by John

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    Yeah, that spoils it. You don’t use that kind of typeface as all caps. That may have been the band’s suggestion as well, Dean was drawing his own logo designs from the outset.

  3. #3 posted by maohee

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    Unfortunately, you’re wrong on two counts here. ‘Space Hymns’ is a superb, rare cut of psychedelia. Maybe that’s just a matter of opinion, but Martin Raphael and Ramases are not the same person. Ramases was the creation and alter-ego of Barrington Frost, who was an eccentric, every bit as interesting as Moondog, who would wander the streets of his native Sheffield dressed in Egyptian garb.

 


 

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