Anna & the Juniper Dog

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The Juniper Dog strained its twisted roots against an ember red sky, snarling out swarms of night moths, barking flocks of owls from its splintery jaws. It howled the sea. Spat stars. Clouds roiled and clotted through the tree dog’s teeth.

Anna & the Juniper Dog was published this summer although it’s a tale which seems more suited to the gloom of autumn. (Having said that, summer this year was so persistently cold, wet and dreary it’s been autumn in all but name.) The story is by Geoff Cox, and the slim clothbound volume from Blackmaps Press comes profusely illustrated by Rohan Daniel Eason, and with an accompanying CD containing 30 minutes of beautiful instrumentals by Martin Roman Rebelski. This is the second book in a trilogy of tales about Cox’s Anna character, wherein we follow Anna through a succession of dream-like episodes freighted with mysteries, epiphanies and ritual moments.

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“Thorns burst from the Old Man’s mouth.”

The combination of another character named Boy, and various encounters with anthropomorphic animals, reminded me of Mervyn Peake’s wonderful Boy in Darkness, while the illustrations bring to mind the cross-hatched art of Edward Gorey. Eason’s drawings add a great deal to the fairytale atmosphere without merely replicating Cox’s evocative descriptions. The icing on the cake is a book design by La Boca with the attention to detail this kind of self-contained project requires: the typesetting uses the ligatures common to better typefaces but which one seldom sees employed today. A great example of the book as an object to be treasured, and ideal reading (and listening) for longer and chillier evenings.

Weekend links 74

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Johnny YesNo video cover, 1983. Design by Neville Brody.

Being a Cabaret Voltaire enthusiast of long standing it was good to hear last week about the imminent reappearance of Johnny YesNo, an hour-long film by Peter Care for which the Cabs provided the soundtrack. Mute Records will be releasing Care’s debut on DVD in a set which includes two versions of the film together with two music CDs. I never got to see the original release on CV’s VHS label, Doublevision; for most of the 1980s I didn’t even have a colour TV never mind a video recorder so I missed all CV’s videocassettes aside from Gasoline In Your Eye. The new edition will be available in November. Brainwashed has a list of the contents while The Quietus posted a clip from the new “redux” version. (And before anyone tells me it’s on YouTube…yeah, everything is on YT in shitty quality and barnacled with the misanthropy-inducing drivel which passes there for comment. If I’m going to watch something for the first time I’d prefer it to be on a shiny disc, thanks.)

• The world has noticed Terrence Malick again following the release of The Tree of Life. Malick’s second feature is returning briefly to UK cinema screens, an event which prompted David Thomson to ask Is Days of Heaven the most beautiful film ever made?

• This week in imaginative art: S. Elizabeth on The Fantastical Fairy Tale Art of Sveta Dorosheva, AS Byatt on the strange paintings of Richard Dadd (there’s another Dadd article here), and Rick Poynor on Chris Foss and the Technological Sublime.

Ethan Hein demonstrates how Alan Lomax came to have copyright control over many songs he had nothing to do with simply by recording traditional music.

Visual Vitriol:  The Street Art and Subcultures of the Punk and Hardcore Generation, a book by David Ensminger.

• More Club Silencio: Inside David Lynch’s Paris nightclub and a gallery of photos.

Histoire un-Naturelle, selected works by Ruth Marten.

Come hither: The deceptive beauty of orchids.

Facsimile Dust Jackets.

• More Peter Care: Just Fascination (1983) by Cabaret Voltaire | Sensoria (1984) by Cabaret Voltaire | Rise (1986) by Public Image Ltd.

SteamPunk Magazine

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The phone line trouble was resolved quicker than I expected thanks to a couple of efficient engineers and a new line. Normal service is now resumed.

Last month seemed to be one rush job after another, of which this was one of the results, a cover for a forthcoming collection of pieces from SteamPunk Magazine. Another collage work mostly, juxtaposed against one of the photos I took years ago of rusting rail bridge supports in central Manchester. Those photos get used a lot when I need some organic textures: one of the others fills in the background of the cover for Jeff VanderMeer’s Finch. I really ought to get some fresh pictures.

I’m not sure when this collection will be out but when it is the news will be mentioned here. And while we’re on the subject, it’s worth mentioning again that SJ Chambers, co-editor with Jeff V of The Steampunk Bible, will be appearing at The Last Tuesday Society in London this coming Tuesday. Details here.

Previously on { feuilleton }
Morlocks, airships and curious cabinets
The Steampunk Bible
Steampunk Reloaded
Steampunk overloaded!
More Steampunk and the Crawling Chaos
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts

Mongolian impressions

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My phone line problem still hasn’t been resolved but I am able to get online again for longer than two minutes at a time…for now. Posting may remain sporadic for the next few days.

This is the third time I’ve written about Impressions de la Haute Mongolie, a 50-minute film made by José Montes-Baquer in the mid-70s in which Salvador Dalí is our guide on a phantasmic journey through micrographic landscapes. Dalí’s narration covers such diverse subject matter as Raymond Roussel, giant hallucinogenic mushrooms, Outer Mongolia and Adolf Hitler. The film turned up at Ubuweb a few years ago but without English subtitles. (A document with an English translation was added later.) Now YouTube user DrewBadly has added the English translation to a copy of the film he’s posted on his YT channel. It’s essential viewing for Dalí enthusiasts.

Related: A Movable Feast, Raymond Roussel’s extravagant, hermetic universe.

Previously on { feuilleton }
Hello Dali!
Dalí and the City
Dalí’s Elephant
Dalí in Wonderland
Alejandro Jodorowsky’s Dune
Dirty Dalí
Impressions de la Haute Mongolie revisited
Dalí and Film
Salvador Dalí’s apocalyptic happening
Dalí Atomicus
Impressions de la Haute Mongolie