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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Salomé scored

nazimova.jpg

Alla Nazimova as Salomé (1923).

I wrote a while ago about Alla Nazimova’s luscious silent film production of Oscar Wilde’s Salomé, a suitably Decadent affair with an allegedly all-gay cast, and costume and stage design based on Aubrey Beardsley’s celebrated illustrations. The film is currently touring England and Wales with a new score for four musicians by composer Charlie Barber, an extract of which can be heard here. I like the Middle Eastern sound of this, a shame the film isn’t coming to Manchester.

salome1.jpg

By coincidence, artist Clive Hicks-Jenkins sent these photos of an impressive Duncan Meadows and his equally impressive sword as additions to the burgeoning Men with swords archive. Meadows is shown as the executioner in a Royal Opera House production of the Strauss opera, appearing at the end of the drama bearing the head of John the Baptist. Given the way that Salomé’s body has always been the focus of attention in this story, Meadows’ appearance makes a striking change, one which Wilde himself might have appreciated.

salome2.jpg

Elsewhere on { feuilleton }
The men with swords archive
The Salomé archive

Previously on { feuilleton }
Equus and the Executionist

 


 

Posted in {beardsley}, {design}, {film}, {gay}, {music}, {theatre}.

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3 comments or trackbacks

  1. #2 posted by Wiley

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    Very nice. The bottom picture resembles something like a live action variation of the few scenes I’ve gotten a look at from those Lord Horror/Reverbstorm books.

  2. #3 posted by John

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    Heh, I didn’t think of that but since you mention it he would look like Lord Horror if he had an unlikely plume of hair sprouting from his head. Horror is generally thinner but otherwise he’s getting there.

  1. prosthesis – Nov 4th, 2009

 


 

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