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	<title>Comments on: Robert Rauschenberg, 1925–2008</title>
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	<description>• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.</description>
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		<title>By: Robert Rauschenberg (1925 - 2008) &#171; Jahsonic</title>
		<link>http://www.johncoulthart.com/feuilleton/2008/05/14/robert-rauschenberg-1925-2008/comment-page-1/#comment-51389</link>
		<dc:creator>Robert Rauschenberg (1925 - 2008) &#171; Jahsonic</dc:creator>
		<pubDate>Wed, 14 May 2008 11:41:07 +0000</pubDate>
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		<description>[...] The painting was described by John Coulthart in 2008 as a work that could easily serve as an illustration to J. G. Ballard&#8217;s The Atrocity Exhibition. Coulthart added that &#8220;Rauschenberg was one of a handful of artists who seemed to depict in visual terms what Ballard was describing in words. In this respect Robert Hughes’s discussion of the “landscape of media” [in The Shock of the New (1980)] (Ballard’s common phrase would be “media landscape”) is coincidental but significant.&#8221; [1] [...]</description>
		<content:encoded><![CDATA[<p>[...] The painting was described by John Coulthart in 2008 as a work that could easily serve as an illustration to J. G. Ballard&#8217;s The Atrocity Exhibition. Coulthart added that &#8220;Rauschenberg was one of a handful of artists who seemed to depict in visual terms what Ballard was describing in words. In this respect Robert Hughes’s discussion of the “landscape of media” [in The Shock of the New (1980)] (Ballard’s common phrase would be “media landscape”) is coincidental but significant.&#8221; [1] [...]</p>
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