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Untitled (Crowd 1) (1993).

Like Atta Kim, Alexey Titarenko makes use of time-lapse and/or multiple exposure in his photographs. Of the two I prefer Titarenko’s work, not least because of his moody and spectral evocations of the streets of Havana and St Petersburg. His blurring of human figures takes on a sinister cast with the Time Standing Still and City of Shadows series which turn mundane Russian crowds into a parade of ghosts from a Gogol nightmare.

Via Ze Frank.

Previously on { feuilleton }
• Abelardo Morell’s camera obscura
• Eugene de Salignac
• Atta Kim: On-Air

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