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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Occultism for kids

wizard.jpg

My battered 1973 Gollancz hardback. Cover illustration by David Smee.

It may be all Harry Potter starter homes crowding the imaginative landscape these days but the lush fields of the early Seventies bred a peculiar brand of wizardry and wild romance, something I was reminded of recently by reviews of a new compilation of psychedelic singles (yes, another one), Real Life—Permanent Dreams on the Castle Communication label. Mention of a curio from the heady days of 1970, Tarot by Andrew Bown, summoned vague memories of a childrens’ television series, Ace of Wands, for which Tarot was the theme song. You can see the title sequence here and this clip compilation features the whole song plus trippy lyrics (“Velvet roofs, tattooed skies, patterns made from words…”). The wonderfully facetious TV Cream describes the series thus:

ACE OF WANDS (1970–72), THAMES TELEVISION. Jim-Morrison-alike boy magician Tarot (MICHAEL MACKENZIE) has adventures through history, for which read cheap studio set representing pyramid, cheap studio set representing Stonehenge and so on. DR WHO-style menace on a budget. Fought enemies such as Madame Midnight, Mr Stabs and Mama Doc, aided by an owl called Ozymandias (played by FRED THE OWL). Tarot cards and tarot phenomena abounded, much worthy roustabouts ensued. Prog-heavy title theme babbling – “Jet white dove/Snow black snake/Time has turned his face/From the edge of mystery” – singularly failed to assault the charts.

ace_of_wands.jpgI’ve mentioned before how magic and occultism were more popular at this time than they’ve probably ever been, and this flush of popularity, much of it coming from underground culture, managed to work its way into children’s television in a diluted form. Ace of Wands is easily the most baroque example of this, mixing the bell-bottom trendiness of Jason King with pulp plots given a psychedelic twist (hallucinogenic gases anyone?). Also from 1970 and far more down-to-earth (and, it should be said, more fun for kids) was Catweazle, written by Richard Carpenter and starring Geoffrey Bayldon. TV Cream has the details again:

CATWEAZLE (1970–71), LWT. Hairy tinker who can’t speak but who’s really an 11th Century magician (and who’s really GEOFFREY BAYLDON) tries to escape from some pissed off Norman soliders, jumps in a pond to hide and finds himself transported to Children’s Film Foundation-era Britain. Luckily there’s a posh (as always) boy on hand to explain all our modern day shit to him.

catweazle.jpgCatweazle quickly became the most popular kids’ progamme of its day and part of its attraction was the way in which Bayldon’s Norman time-traveller mistranslated modern technology as magic. So the telephone became a device called the “telling bone”, electricity was “electrickery” and so on. I had the first Catweazle annual which was an odd mixture of comic strips, text stories and articles about stage magicians with a smattering of genuine occult history.

Best of all for this Seventies kid was my favourite reading on the frequently dull Jackanory (“Ramshackle reading-is-fun relic wherein a Famous Person would sit on a chair with a pretend book and ponderously recount the contents of your local mobile library” says TV Cream) which one week had Ursula K Le Guin‘s A Wizard of Earthsea as its featured book. Try as I might, I’ve been unable to find the name of the actor who read this (black clothes, medieval chair) but I was knocked out by it. Years later the Earthsea cycle is still the only work of Le Guin’s I’ve been able to read, her science fiction seemed boring by comparison.

The inflated success of Harry Potter has had people casting about for JK Rowling’s influences over the past few years. A Wizard of Earthsea was first published in 1968 and also concerns a school of wizards, as do several other pre-HP novels. Rowling has acknowledged this although that acknowledgement hasn’t been loud or regular enough to appease a grouchy Le Guin. The Earthsea books are a lot shorter than the Potter door-stops and the first book at least is rather more sophisticated, reading equally well as a fantasy adventure for children and as a Jungian fable for adults with hints of Buddhist or Taoist philosophy. The characters are also notable for not being the Caucasians that most fantasy characters usually are, one of many details a recent TV adaptation (which Le Guin condemned) managed to ignore. It’s worth noting that JK Rowling is part of my generation (I’m 45, she’s 42) so she would have watched all this Seventies stuff herself. One of the reasons fantasy readers and writers (as opposed to snooty broadsheet critics) are often disappointed by the Potter juggernaut is that it could have been so much more considering the wealth of precedent that it draws upon. But then books rarely achieve this scale of popularity without being conservative and undemanding, Rowling’s work is merely the most recent example of this.

Le Guin spoiled the impact of her excellent first Earthsea book with several sequels of diminishing interest. A new animated film from Japan, Gedo Senki or Tales from Earthsea, based on the later works is released in the UK this month. The great British director Michael Powell had plans for an Earthsea adaptation scripted by Le Guin when he was director in residence at Francis Coppola’s Zoetrope Studios in 1980. Powell was great with fantasy (watch his Thief of Bagdad) so it’s a shame that nothing came of this. Ace of Wands is on DVD now and so is Catweazle. I can’t vouch for the former having much value beyond pure nostalgia but there’s plenty of clips from the latter at YouTube. Proceed with caution.

Previously on { feuilleton }
The art of Bob Pepper
Of Moons and Serpents
Austin Osman Spare

 


 

Posted in {books}, {fantasy}, {music}, {occult}, {psychedelia}, {television}.

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11 comments or trackbacks

  1. #1 posted by mark godwin

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    mmm,
    i’d forgotten about catweazle///
    i wonder what impact all these inputs had as i was impressionable at this time.
    indeed, there were many magazines on magic etc. which i was surprisingly allowed to buy, in spite of the fact that my family were mostly god-botherers…though, my grandmother maintained that one of her brothers opened an occult bookshop in London.
    anyhow good digging\\
    can you take a look at this and tell us what you think?
    http://www.zkdomain.com
    yours
    M

  2. #2 posted by Steve MacEacheran

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    I think Andrew Brown is a typo on the album sleeve – it should actually be Andrew Bown. Now, of course, he occupies the keyboard stool in Status Quo!

  3. #3 posted by John

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    Steve: Well spotted! I’ve amended that. Should have looked at the very detailed Ace of Wands site a bit more closely since the record labels are there. The Quo started out doing psychedelic stuff as well so I suppose the connection makes sense.

    Hi Mark. Very nice look to that although your “About” section is at the bottom of the page in my browser. Re: The Ebony Tower, the TV adaptation of that has also just appeared on DVD.

  4. #4 posted by mark godwin

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    yes, just us being difficult i guess.
    or do you think that appears to be an error?
    where can you get the DVD from, i’ll get G to get a copy…
    can you send this response to my mail address?
    thanks for your input
    take care
    M

  5. #5 posted by Eroom Nala

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    I remember reading a Catzweazle book when I was very young. Shame the show didn’t last longer. My tastes weren’t all highbrow though.
    I also liked HR Pufnstuff
    http://en.wikipedia.org/wiki/H.R._Pufnstuf
    ;-)

  6. #6 posted by John

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    HR Pufnstuf is a whole other area of Seventies strangeness. My sister and I loved that show, especially Witchiepoo.

  7. I learned a lot from this post, but I’m most happy to finally know what the hell a “Jackanory Story” is — I’ve been singing to myself the Television Personalities song about them since the late-90s.

    Check out this recent deadlicious of images from freaky 70s FRENCH kids shows:
    http://www.itsdeadlicious.com/2008/11/merveilleux-fantastique-et-science.html

  8. #8 posted by John

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    Jackanory was quite an institution for a time although it could also be very dull.

    That French stuff looks far more interesting! The weirdest we got with imported stuff was The Singing Ringing Tree. East German fairy tale from the Fifties and screened in the Seventies which I never saw in colour since we still had b&w TV.

  9. #9 posted by Yvonne

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    I love all of Ursula Le Guin’s stuff. I would recommend her more recent SF (e.g. The Telling and Always coming home, and her short stories – especially a recent collection called The Birthday of the World (in which the best story is the one about a generation ship) and the classic collection The Wind’s Twelve Quarters, which contains my two favourites, April in Paris and The Ones Who Walk Away From Omelas.

    I would say the resemblance between Potter-world and Earthsea is fairly superficial, personally. The whole tone and unerlying philosophy of the books is different, for a start. There’s no Taoism in Harry Potter that I’ve noticed.

  10. #11 posted by Andrew Butler

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    Re: Jackanory – A Wizard of Earthsea

    This may be far too late in the day, but you said: “I’ve been unable to find the name of the actor who read this (black clothes, medieval chair)” – well, it was Edward Fox, star of “The Day of the Jackal”, “Edward and Mrs Simpson” and many other things, so – if you still hadn’t managed to find out after all this time – I hope that will satisfy your curiosity. I wish I could find out whose version of “Neptune the Mystic” from Holst’s “Planets” they used as incidental music, but the interweb is being no help there…

    Needless to say, it made a big impact on me at the time and was one of my favourite “Jackanory” presentations. (Did you notice the collection of different arrowheads on the narrator’s desk?)

 




 

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