<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Wanna see something really scary?</title>
	<atom:link href="http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/</link>
	<description>• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.</description>
	<lastBuildDate>Sat, 21 Nov 2009 17:07:56 -0600</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.6</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: roger</title>
		<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/comment-page-1/#comment-49479</link>
		<dc:creator>roger</dc:creator>
		<pubDate>Tue, 08 Apr 2008 10:13:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=2166#comment-49479</guid>
		<description>There have been a number of books released over the past year or two inspired by the Pan anthologies.

BHF Book of Horror
Humdrumming Book of Horror
Black Book of Horror</description>
		<content:encoded><![CDATA[<p>There have been a number of books released over the past year or two inspired by the Pan anthologies.</p>
<p>BHF Book of Horror<br />
Humdrumming Book of Horror<br />
Black Book of Horror</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: John</title>
		<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/comment-page-1/#comment-25476</link>
		<dc:creator>John</dc:creator>
		<pubDate>Mon, 16 Jul 2007 18:02:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=2166#comment-25476</guid>
		<description>Oh, I&#039;ve got that book! My dust jacket is a bit more worn than that one. Face reminds me a bit of the demon face in The Exorcist. Oddly enough I was thinking of reading some Blackwood again (and Robert Aickman) after listening to a reading of The Willows on BBC 7.

Barker claims to have given up horror in order to have a wider readership. I&#039;m sure he&#039;s sincere about that but when does horror preclude a wider readership? Ask Thomas Harris. The challenge should be to bring the reader along with you but then that&#039;s easy for me to say because I&#039;m not poring over a column of sales figures and the NYT bestsellers list.

What&#039;s depressing about things today--and this applies to comments above--is the way that all the genres have become rigid and codified, like a row of American chain stores. HG Wells wrote short stories that can be classed as horror, science fiction, fantasy (even crime) yet he never thought of himself as a writer of a specific genre; he was a writer first, with the freedom to deal with any subject. HP Lovecraft was the same. Now you have people going on writing courses learning specifically how to write (say) science fiction or fantasy. Hence the recent angst when Cormac McCarthy writes a book that could be classed as sf. Like I said; depressing.</description>
		<content:encoded><![CDATA[<p>Oh, I&#8217;ve got that book! My dust jacket is a bit more worn than that one. Face reminds me a bit of the demon face in The Exorcist. Oddly enough I was thinking of reading some Blackwood again (and Robert Aickman) after listening to a reading of The Willows on BBC 7.</p>
<p>Barker claims to have given up horror in order to have a wider readership. I&#8217;m sure he&#8217;s sincere about that but when does horror preclude a wider readership? Ask Thomas Harris. The challenge should be to bring the reader along with you but then that&#8217;s easy for me to say because I&#8217;m not poring over a column of sales figures and the NYT bestsellers list.</p>
<p>What&#8217;s depressing about things today&#8211;and this applies to comments above&#8211;is the way that all the genres have become rigid and codified, like a row of American chain stores. HG Wells wrote short stories that can be classed as horror, science fiction, fantasy (even crime) yet he never thought of himself as a writer of a specific genre; he was a writer first, with the freedom to deal with any subject. HP Lovecraft was the same. Now you have people going on writing courses learning specifically how to write (say) science fiction or fantasy. Hence the recent angst when Cormac McCarthy writes a book that could be classed as sf. Like I said; depressing.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Rik Rawling</title>
		<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/comment-page-1/#comment-25447</link>
		<dc:creator>Rik Rawling</dc:creator>
		<pubDate>Mon, 16 Jul 2007 11:35:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=2166#comment-25447</guid>
		<description>Yep, scary enough, but I&#039;ll see that and raise you with this:

http://weirdcovers.ghostbox.co.uk/images/ab_talesmm.jpg

My sister had this book and the cover image of THAT FACE absolutely terrified me. I had recurring nightmares of it looming up at me out of the darkness and even now I find it unsettling to look at. When reading Clive Barker&#039;s The Damnation Game for the first time in 1986, I had violent flashbacks to this image as I read the incredible passage where Mamoulian casts bone dice into the void &quot;while somewhere close by a thing with fire for a head wept and wept until it seemed they would drown in tears.&quot; Barker soon lost it, Blackwood never did and whoever did that cover painting was welcome to his nightmares. We&#039;ll never the like again.</description>
		<content:encoded><![CDATA[<p>Yep, scary enough, but I&#8217;ll see that and raise you with this:</p>
<p><a href="http://weirdcovers.ghostbox.co.uk/images/ab_talesmm.jpg" rel="nofollow">http://weirdcovers.ghostbox.co.uk/images/ab_talesmm.jpg</a></p>
<p>My sister had this book and the cover image of THAT FACE absolutely terrified me. I had recurring nightmares of it looming up at me out of the darkness and even now I find it unsettling to look at. When reading Clive Barker&#8217;s The Damnation Game for the first time in 1986, I had violent flashbacks to this image as I read the incredible passage where Mamoulian casts bone dice into the void &#8220;while somewhere close by a thing with fire for a head wept and wept until it seemed they would drown in tears.&#8221; Barker soon lost it, Blackwood never did and whoever did that cover painting was welcome to his nightmares. We&#8217;ll never the like again.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: John</title>
		<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/comment-page-1/#comment-25304</link>
		<dc:creator>John</dc:creator>
		<pubDate>Sun, 15 Jul 2007 00:26:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=2166#comment-25304</guid>
		<description>I can&#039;t think of anything now that approaches these kind of books. And these weren&#039;t the only ones, there was a similar series from Fontana, collections from Michael Parry and Peter Haining et al. Things are a lot more codified and homogenised in all the genres today, conservatism is abroad in the places that were often a haven for subversion and experiment.</description>
		<content:encoded><![CDATA[<p>I can&#8217;t think of anything now that approaches these kind of books. And these weren&#8217;t the only ones, there was a similar series from Fontana, collections from Michael Parry and Peter Haining et al. Things are a lot more codified and homogenised in all the genres today, conservatism is abroad in the places that were often a haven for subversion and experiment.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Martin Jones</title>
		<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/comment-page-1/#comment-25259</link>
		<dc:creator>Martin Jones</dc:creator>
		<pubDate>Sat, 14 Jul 2007 16:34:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=2166#comment-25259</guid>
		<description>Yep, excellent primers. is there an equivalent around now? A paperback series that mixes &#039;classics&#039; and left-field experiments with new fiction? And, of course, gruesome covers...</description>
		<content:encoded><![CDATA[<p>Yep, excellent primers. is there an equivalent around now? A paperback series that mixes &#8216;classics&#8217; and left-field experiments with new fiction? And, of course, gruesome covers&#8230;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Andrew Hickey</title>
		<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/comment-page-1/#comment-25257</link>
		<dc:creator>Andrew Hickey</dc:creator>
		<pubDate>Sat, 14 Jul 2007 16:10:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=2166#comment-25257</guid>
		<description>I&#039;d forgotten about those books, but the early ones were fantastic - my first introduction to Lord Dunsany&#039;s work was in that volume, when I was about ten. It&#039;s odd looking through the listings for the early ones just how widely they were casting the net for stories - seeing &quot;A Rose For Emily&quot;, &quot;The Elephant Man&quot; and John Lennon&#039;s &quot;No Flies On Frank&quot; in such close proximity reminds me just what a wide range of genres &#039;horror&#039; can contain...</description>
		<content:encoded><![CDATA[<p>I&#8217;d forgotten about those books, but the early ones were fantastic &#8211; my first introduction to Lord Dunsany&#8217;s work was in that volume, when I was about ten. It&#8217;s odd looking through the listings for the early ones just how widely they were casting the net for stories &#8211; seeing &#8220;A Rose For Emily&#8221;, &#8220;The Elephant Man&#8221; and John Lennon&#8217;s &#8220;No Flies On Frank&#8221; in such close proximity reminds me just what a wide range of genres &#8216;horror&#8217; can contain&#8230;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Martin Jones</title>
		<link>http://www.johncoulthart.com/feuilleton/2007/07/14/wanna-see-something-really-scary/comment-page-1/#comment-25255</link>
		<dc:creator>Martin Jones</dc:creator>
		<pubDate>Sat, 14 Jul 2007 15:54:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=2166#comment-25255</guid>
		<description>Gentleman-about-Bristol and pulp scholar Justin Marriott edits Pulpmania and Paperback Dungeon, which touch on these areas:

www.pulpmania.co.uk

www.myspace.com/pulpmania

although both sites do little to convey the excellent writing within (the Michel Parry interview especially).

Incidentally: childhood terrors? I could begin with the first viewing of The Legend of Boggy Creek on TV, and work onwards from there...!</description>
		<content:encoded><![CDATA[<p>Gentleman-about-Bristol and pulp scholar Justin Marriott edits Pulpmania and Paperback Dungeon, which touch on these areas:</p>
<p><a href="http://www.pulpmania.co.uk" rel="nofollow">http://www.pulpmania.co.uk</a></p>
<p><a href="http://www.myspace.com/pulpmania" rel="nofollow">http://www.myspace.com/pulpmania</a></p>
<p>although both sites do little to convey the excellent writing within (the Michel Parry interview especially).</p>
<p>Incidentally: childhood terrors? I could begin with the first viewing of The Legend of Boggy Creek on TV, and work onwards from there&#8230;!</p>
]]></content:encoded>
	</item>
</channel>
</rss>
