Reverbstorm

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My discipline here has rather collapsed since returning from Paris. Lots of things that required sorting out and the distraction of a new computer is the excuse. Time for a new announcement, however. Now that The Haunter of the Dark is back in print, work has begun at the Savoy HQ on the eventual reprinting of my comics magnum opus, Reverbstorm. This was the 8-part Lord Horror series I was producing for Savoy with David Britton that sprang directly out of my Lovecraft comics work and is, in some small way, a continuation of it (hence the inclusion of some pages in the final part of HOTD).

Reverbstorm was an attempt by Dave and I to produce a graphic novel (wretched term, but if the boot fits…) that was truly adult, at a time—the early Nineties—when much there was much discussion of “adult comics” but little worthy of the name being produced. Reverbstorm is adult in terms of its often aggressive and challenging content; so are many mainstream comics now. But it’s also adult in terms of style and technique, being laden with quotation and literary and artistic allusion that requires an understanding of some of the key works of the Modernist movement to fully appreciate. Being a Lord Horror work, there’s also plenty of reference to the fascist philosophy that Dave’s character (based on William Joyce, Lord Haw-Haw) subscribes to. Mix all this with a great deal of violence and you have a very dark work indeed, one that most readers and reviewers of the time were happy to ignore.

Well Reverbstorm is returning to the world in a definitive form. All the artwork is being scanned and cleaned (and in some cases, amended slightly); the eighth and final part will see its first publication in this new edition and there’ll be some previously unseen or unpublished material also. The series as a whole contains 270 pages of some of my best ever black and white artwork (and some great additional work from Kris Guidio) so I’m very pleased that this volume is set to appear in a form that will do justice to the years we spent creating it. Publication will probably be in autumn 2007 but watch this space for further details.

For more on the Reverbstorm series, read my short essay about its genesis here.

Jake Shears likes Van Dyke Parks

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From ‘Music’s secret weapons‘ in today’s Guardian. Musicians pick “their special album: the one nobody else has heard of, the one to bring out when you want to amaze people” and trot out a host of uninspiring choices, most of which are hardly albums that no one has heard of. Tells you a lot about today’s current crop of musos. Anyway, Jake came to the rescue and he didn’t go for the obvious VDP pick of Discover America either. If you want to discover more about the brilliant Van Dyke Parks, visit his site.

Jake Shears
(No 1 in the albums and singles charts with Scissor Sisters)
Van Dyke Parks – Jump! (1984)
It’s his concept album inspired by the Uncle Remus tales from Song of the South. He’s a genius arranger, producer, singer, songwriter. He also worked on Brian Wilson’s Smile. Jump! is a truly timeless record. It came out in 1984 but sounds like it could have been made yesterday or 80 years ago.

Previously on { feuilleton }
They are Scissor Sisters and so are you

Penguin book covers

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Nice collection of old covers for Penguin Books on Joe Kral’s Flickr pages. Looking over these, many of which are very familiar even though I’ve never owned them, makes me aware of how many hours of my life must have been spent in secondhand bookshops. The David Pelham cover for A Clockwork Orange has always been a favourite Penguin design. Pelham did a number of great covers for Penguin’s SF titles in the 1970s but the Burgess volume proved the most durable, unusually for a cover design surviving many reprintings. Via Boing Boing.

Elsewhere on { feuilleton }
The book covers archive