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	<title>Comments on: The art of Franz Xavier Messerschmidt, 1736–1783</title>
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	<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/</link>
	<description>• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.</description>
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		<title>By: Dr.H.R Principalh</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-124899</link>
		<dc:creator>Dr.H.R Principalh</dc:creator>
		<pubDate>Wed, 07 Oct 2009 04:46:43 +0000</pubDate>
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		<description>MR.MESSERSCHIDT,was a talented sculptor a vissionary .i was introduced to his art by mere accident..i read a novel The Grimace&quot;. by Nicholas salaman.it gives a new angle on the life of this great artist.i recomemded for what is worth.thank you

Dr.H.R.Principalh</description>
		<content:encoded><![CDATA[<p>MR.MESSERSCHIDT,was a talented sculptor a vissionary .i was introduced to his art by mere accident..i read a novel The Grimace&#8221;. by Nicholas salaman.it gives a new angle on the life of this great artist.i recomemded for what is worth.thank you</p>
<p>Dr.H.R.Principalh</p>
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		<title>By: Mik</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-111513</link>
		<dc:creator>Mik</dc:creator>
		<pubDate>Tue, 02 Jun 2009 02:50:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-111513</guid>
		<description>Good post. You might be interested in the links from a couple of posts I made - The &lt;a href=&quot;http://tellurianmonkey.blogspot.com/2008/01/art-from-asylum.html&quot; rel=&quot;nofollow&quot;&gt;Prinzhorn and Cunningham Dax&lt;/a&gt; collections and &lt;a href=&quot;http://tellurianmonkey.blogspot.com/2008/04/dr-eliot-gnass-von-sonnenstern.html&quot; rel=&quot;nofollow&quot;&gt;Dr. Eliot Gnass von Sonnenstern&lt;/a&gt;.</description>
		<content:encoded><![CDATA[<p>Good post. You might be interested in the links from a couple of posts I made &#8211; The <a href="http://tellurianmonkey.blogspot.com/2008/01/art-from-asylum.html" rel="nofollow">Prinzhorn and Cunningham Dax</a> collections and <a href="http://tellurianmonkey.blogspot.com/2008/04/dr-eliot-gnass-von-sonnenstern.html" rel="nofollow">Dr. Eliot Gnass von Sonnenstern</a>.</p>
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		<title>By: Franz Xavier Messerschmidt : Glubibulgà</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-83727</link>
		<dc:creator>Franz Xavier Messerschmidt : Glubibulgà</dc:creator>
		<pubDate>Thu, 16 Oct 2008 13:16:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-83727</guid>
		<description>[...] on Ottobre 16, 2008 Filed Under M &#124;   Franz Xavier Messerschmidt : www.johncoulthart.com Tag: [...]</description>
		<content:encoded><![CDATA[<p>[...] on Ottobre 16, 2008 Filed Under M |   Franz Xavier Messerschmidt : <a href="http://www.johncoulthart.com" rel="nofollow">http://www.johncoulthart.com</a> Tag: [...]</p>
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		<title>By: John</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-53887</link>
		<dc:creator>John</dc:creator>
		<pubDate>Thu, 05 Jun 2008 10:55:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-53887</guid>
		<description>Hi Greg, these aren&#039;t paintings, they&#039;re sculptures.</description>
		<content:encoded><![CDATA[<p>Hi Greg, these aren&#8217;t paintings, they&#8217;re sculptures.</p>
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		<title>By: Greg Messerschmidt</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-53863</link>
		<dc:creator>Greg Messerschmidt</dc:creator>
		<pubDate>Thu, 05 Jun 2008 03:08:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-53863</guid>
		<description>I think these painting are great. please email me.</description>
		<content:encoded><![CDATA[<p>I think these painting are great. please email me.</p>
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		<title>By: cara maitland</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-33747</link>
		<dc:creator>cara maitland</dc:creator>
		<pubDate>Tue, 11 Sep 2007 11:01:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-33747</guid>
		<description>these paintings are truly inspirational. I hate art and i am rubish at it but i keep trying which is the most important thing. I hav no life and enjoy playing tennis and croquet. Please add me to this website cause i love it. thank you
with love
Cara Maitland</description>
		<content:encoded><![CDATA[<p>these paintings are truly inspirational. I hate art and i am rubish at it but i keep trying which is the most important thing. I hav no life and enjoy playing tennis and croquet. Please add me to this website cause i love it. thank you<br />
with love<br />
Cara Maitland</p>
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		<title>By: John</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-844</link>
		<dc:creator>John</dc:creator>
		<pubDate>Tue, 27 Jun 2006 19:46:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-844</guid>
		<description>Corrected, thanks. OCR in haste, repent at leisure.</description>
		<content:encoded><![CDATA[<p>Corrected, thanks. OCR in haste, repent at leisure.</p>
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		<title>By: Eroom Nala</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-843</link>
		<dc:creator>Eroom Nala</dc:creator>
		<pubDate>Tue, 27 Jun 2006 17:42:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-843</guid>
		<description>Proofreading:

&quot;Read and body correspond&quot; should be &quot;Head and body correspond&quot;

&quot;and that even the strange beads for which he has become famous&quot; should be &quot;strange heads&quot;

&quot;Eroom Nala&#039;s strange obsession with proofreading everything shows he is anal retentive and maladjusted and should be locked up in a looney bin. Either that or he has too much time on his hands&quot; -  Self-referential fictitious quote

:-)

Seriously though if you were rich you were just eccentric and tolerated but if you were poor the put you in Bedlam.</description>
		<content:encoded><![CDATA[<p>Proofreading:</p>
<p>&#8220;Read and body correspond&#8221; should be &#8220;Head and body correspond&#8221;</p>
<p>&#8220;and that even the strange beads for which he has become famous&#8221; should be &#8220;strange heads&#8221;</p>
<p>&#8220;Eroom Nala&#8217;s strange obsession with proofreading everything shows he is anal retentive and maladjusted and should be locked up in a looney bin. Either that or he has too much time on his hands&#8221; &#8211;  Self-referential fictitious quote</p>
<p>:-)</p>
<p>Seriously though if you were rich you were just eccentric and tolerated but if you were poor the put you in Bedlam.</p>
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		<title>By: Eroom Nala</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-840</link>
		<dc:creator>Eroom Nala</dc:creator>
		<pubDate>Tue, 27 Jun 2006 05:19:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-840</guid>
		<description>I was browsing through a book in my library just the other day that had some photos of Messerchmidt&#039;s art. Not sure if it was this one now as I didn&#039;t make a note of it

Painting the cannon&#039;s roar : music, the visual arts, and the rise of an attentive public in the age of Haydn, c.1750 to c1810 / Thomas Tolley.

&quot;From c.1750 to c.1810 the paths of music history and the history of painting converged with lasting consequences. The publication of Newton&#039;s Opticks at the start of the eighteenth century gave a &#039;scientific&#039; basis to the analogy between sight and sound, allowing music and the visual arts to be defined more closely in relation to one another. This was also a period which witnessed the emergence of a large and increasingly receptive audience for both music and the visual arts - an audience which potentially included all social strata. The development of this growing public and the commercial potential that it signified meant that for the first time it became possible for a contemporary artist to enjoy an international reputation. Nowhere is this better illustrated than in the career of Joseph Haydn.&quot;. 
 &quot;Although this phenomenon defies conventional modes of study, the book shows how musical pictorialism became a major creative force in popular culture. Haydn, the most popular living cultural personality of the period, proved to be the key figure in advancing the new relationship. The connections between the composer and his audiences and leading contemporary artists (including Tiepolo, Mengs, Kauffman, Goya, David, Messerschmidt, Loutherbourg, Canova, Copley, Fuseli, Reynolds, Gillray and West) are examined here for the first time. 


I always thought Messerschmidt was one of those WWII planes

http://en.wikipedia.org/wiki/Messerschmidt</description>
		<content:encoded><![CDATA[<p>I was browsing through a book in my library just the other day that had some photos of Messerchmidt&#8217;s art. Not sure if it was this one now as I didn&#8217;t make a note of it</p>
<p>Painting the cannon&#8217;s roar : music, the visual arts, and the rise of an attentive public in the age of Haydn, c.1750 to c1810 / Thomas Tolley.</p>
<p>&#8220;From c.1750 to c.1810 the paths of music history and the history of painting converged with lasting consequences. The publication of Newton&#8217;s Opticks at the start of the eighteenth century gave a &#8217;scientific&#8217; basis to the analogy between sight and sound, allowing music and the visual arts to be defined more closely in relation to one another. This was also a period which witnessed the emergence of a large and increasingly receptive audience for both music and the visual arts &#8211; an audience which potentially included all social strata. The development of this growing public and the commercial potential that it signified meant that for the first time it became possible for a contemporary artist to enjoy an international reputation. Nowhere is this better illustrated than in the career of Joseph Haydn.&#8221;.<br />
 &#8220;Although this phenomenon defies conventional modes of study, the book shows how musical pictorialism became a major creative force in popular culture. Haydn, the most popular living cultural personality of the period, proved to be the key figure in advancing the new relationship. The connections between the composer and his audiences and leading contemporary artists (including Tiepolo, Mengs, Kauffman, Goya, David, Messerschmidt, Loutherbourg, Canova, Copley, Fuseli, Reynolds, Gillray and West) are examined here for the first time. </p>
<p>I always thought Messerschmidt was one of those WWII planes</p>
<p><a href="http://en.wikipedia.org/wiki/Messerschmidt" rel="nofollow">http://en.wikipedia.org/wiki/Messerschmidt</a></p>
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		<title>By: Mental Health Update</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/06/23/the-art-of-franz-xavier-messerschmidt-1736-1783/comment-page-1/#comment-838</link>
		<dc:creator>Mental Health Update</dc:creator>
		<pubDate>Tue, 27 Jun 2006 03:33:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=603#comment-838</guid>
		<description>&lt;strong&gt;The Art Of Franz Xavier Messerschmidt...&lt;/strong&gt;

A look at Franz Messerschmidt and schizophrenia.......</description>
		<content:encoded><![CDATA[<p><strong>The Art Of Franz Xavier Messerschmidt&#8230;</strong></p>
<p>A look at Franz Messerschmidt and schizophrenia&#8230;&#8230;.</p>
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