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	<title>Comments on: The lost art of sleeve design</title>
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	<link>http://www.johncoulthart.com/feuilleton/2006/02/14/the-lost-art-of-sleeve-design/</link>
	<description>• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.</description>
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		<title>By: Tony Barber</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/02/14/the-lost-art-of-sleeve-design/comment-page-1/#comment-100641</link>
		<dc:creator>Tony Barber</dc:creator>
		<pubDate>Mon, 30 Mar 2009 11:31:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=7#comment-100641</guid>
		<description>Bubbles.
Garrett.
Saville.
Oliver.

Plus,before Punk, there was virtually no such thing as a single sleeve.
Punk definately upped the ante in terms of record design.

TB</description>
		<content:encoded><![CDATA[<p>Bubbles.<br />
Garrett.<br />
Saville.<br />
Oliver.</p>
<p>Plus,before Punk, there was virtually no such thing as a single sleeve.<br />
Punk definately upped the ante in terms of record design.</p>
<p>TB</p>
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		<title>By: Malcolm Garrett</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/02/14/the-lost-art-of-sleeve-design/comment-page-1/#comment-9031</link>
		<dc:creator>Malcolm Garrett</dc:creator>
		<pubDate>Tue, 20 Feb 2007 11:58:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=7#comment-9031</guid>
		<description>Far from killing record sleeve design, Punk actively promoted it, with an explosion of bands and their low budget recordings all demanding a strong visual presence.

Barney Bubbles did some of greatest work 9for Stiff and Radar) in the wake of Punk, and Peter Saville&#039;s inimitably magificent works for Factory Records would not have happened without the impetus of the Sex Pistols spurring the whole country into a frenzy of musical activity.</description>
		<content:encoded><![CDATA[<p>Far from killing record sleeve design, Punk actively promoted it, with an explosion of bands and their low budget recordings all demanding a strong visual presence.</p>
<p>Barney Bubbles did some of greatest work 9for Stiff and Radar) in the wake of Punk, and Peter Saville&#8217;s inimitably magificent works for Factory Records would not have happened without the impetus of the Sex Pistols spurring the whole country into a frenzy of musical activity.</p>
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		<title>By: LondonLee</title>
		<link>http://www.johncoulthart.com/feuilleton/2006/02/14/the-lost-art-of-sleeve-design/comment-page-1/#comment-8520</link>
		<dc:creator>LondonLee</dc:creator>
		<pubDate>Wed, 14 Feb 2007 15:20:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.johncoulthart.com/feuilleton/?p=7#comment-8520</guid>
		<description>I just discovered this blog via AceJet and - as a designer with a music blog - I&#039;m very happy to have found it.

I don&#039;t think punk killed sleeve design, fancy gatefolds may have gone out of fashion but records still came in some very inventive sleeves (the first PiL single wrapped in a fake newspaper for example). What killed sleeve design was the CD. There just isn&#039;t the room to be as conceptually clever anymore and the typography has to be &#039;louder&#039; to get noticed.</description>
		<content:encoded><![CDATA[<p>I just discovered this blog via AceJet and &#8211; as a designer with a music blog &#8211; I&#8217;m very happy to have found it.</p>
<p>I don&#8217;t think punk killed sleeve design, fancy gatefolds may have gone out of fashion but records still came in some very inventive sleeves (the first PiL single wrapped in a fake newspaper for example). What killed sleeve design was the CD. There just isn&#8217;t the room to be as conceptually clever anymore and the typography has to be &#8216;louder&#8217; to get noticed.</p>
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